Ever After, an exhibition curated by curatorial collective, OFFSpace, is one of the most memorable art openings I’ve experienced (ever). The show resides in what most individuals would consider a rather unorthodox and unusual place for an art exhibition – a columbarium. Yes, you read that correctly. This show is in a columbarium. Currently in the process of revising and editing pieces for publication and rest assured (no pun intended), my review of Ever After is in the works. For now, please view some of the photos from the opening.

Visitors looking at Andrew Witrak's piece, Dixie Cup Phone (2011), Paper, silk thread, gouache paint, dimensions variable

Exploring Julia Morgan's architecture work while searching for the artwork spread throughout the columbarium

Walking around and getting lost

In Blessed (name of the room), searching for Marya Krogstad and Emmanuelle Namont Kouznetsov's work. Found Krogstad but learned Kouznetsov's work had to be moved.

Elyse Hochstadt's work, Untitled (Reliquary) (2011), Ash, 36" x 12" x 4"

Chimes Chapel entrance