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Art and Technology Art Writing and Criticism

Introduction to Artificial Intelligence

Click on the image to learn more about the Introduction to Artificial Intelligence

Call me a complete slave to work and mental productivity but I just had to do it. The online course is free and in partnership with Stanford’s Engineering Department. I’ve gotta say I’m a bit more partial to MIT’s Open Courseware BUT Stanford did get a lot of Press for this Introduction to Artificial Intelligence (AI) class so I couldn’t resist the hype. Then again, my Mom reminds me that nothing is ever ‘free’. By the way, I acknowledge this endeavor will be time-consuming and I’m hoping my beloved doesn’t read this because she’s going to wonder about my already busy schedule and commitments. However, participants have the option of taking an advanced track (with homework and exams) OR basic track (logging onto the course site from time to time to learn more about the content). Easy! I’m not going to get into how I will approach the course and the subject matter but I’m hoping that it will give me a bit more insight into the world of AI as well as the infinite possibilities within the arts and technology realm.

By Dorothy R. Santos

Dorothy R. Santos (b. 1978) is a Filipina American writer, artist, and educator whose academic and research interests include feminist media histories, critical medical anthropology, race and technology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.

Her writing appears in art21, Rhizome, Hyperallergic, Ars Technica, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the program manager for the Processing Foundation.

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