The Music Issue features | David Molina (Art) | Dan Dion (Art) | Michael Musika (Literature) | Afterlife (Style) | Vacation SF (Style) | Old School Cafe (Dine) | Urban Bedrooms (Design | Home)| Foggy Notion (Design | Home) | The She’s (Music) | Emily Jane White (Music) | Divisadero (Community) | Pinball Museum (Beyond SF) | Bakesale Betties (Beyond SF) | Rose Gold (Feature) | Vinyl Peddlers (Feature)| Om Records (Feature) | Karaoke Masters (Feature) | BART Musicians (Feature) | Radio Habana (Nightlife) | Nightlife Photos | Bells (Music) | Judgement Day (Music) | Silver Swans (Music)
Hello Family and Friends!
I am curating a solo exhibition for musician, composer, and artist David Molina. He is featured in the upcoming issue of Asterisk SF Magazine. The show will be wonderful and it is his first gallery exhibition in San Francisco. With over 17 years of composing, music and instrument making, sound installation work, and theatrical production work, we are extremely happy and excited about his upcoming show. Please read the curatorial statement below and join us on January 17, 2013 from 7-10 pm!!
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Join us for our first event of 2013 in celebration of the Music Issue and the opening of Transience: The Work of David Molina. An exhibit on the art of sound.
Transience provides a retrospective look at David Molina’s theatrical scores and music compositions as well as his collaborative works with Bay Area artists including Garrett La Fever, Mickey Tachibana, Cause Collective, Susie Valdez, Victor Cartagena, Violeta Luna, Roberto Varea, and Anna Geyer. The exhibition presents existing and new interactive works such as Memory Web, which showcased at the 2012 San Francisco Fine Art Fair. For this particular exhibition, Molina will be presenting his latest interactive work, Rusting Souls, which entailed a deconstructing and reconstructing of the Cimbalom, an instrument originally from eastern Europe.
Spanning Molina’s installation works to a comprehensive discography, Transience assembles a collection of intricately re-imagined instruments, such as Homage to Musee Mecanique: A Game Of Time, The Chimes of Seven Spells, The Broken Heart Sings, a plethora of parts pieced together to create a multifaceted and unique experience of sound.
Hearing has the capacity to command our being by forcing us to listen and understand the world. The imagination works in conjunction with sound allowing us to envision our environment or awaken a long obscured tale. The works in Transience seek to envelop the listener into narratives and a tactile experience of music. With no specific starting point other than the listener, the exhibition emerges as a study of contemporary music making and how stories can be told through beautifully and meticulously strung notes by the artist-musician’s hand. Transience is an examination of how music affects our understanding of personal histories and interactions as well as our perceptions of sound.
– Dorothy Santos, Arts Editor + Curator
I recently submitted an Invention for the Imagine 2049 time capsule, which is part of Scott Kildall’s series, 2049.
You can submit your invention for the future at www.imagine2049.com.
All “future inventions” submitted before Thursday, January 10th will be placed in the time capsule and opened in the year 2049. Please consider being a part of this project. Here is my entry for the time capsule:
“A five senses book that would enable people to see, hear, taste, smell, and touch objects and things from any time in history. Warning text would be placed on whatever entry the reader wishes to learn more about and experience. It would be a comprehensive inventory with help text on understand the historical, cultural, and societal context of the item the reader wishes to examine. Although there would be an option to experience the object or thing, the reader is unable to bring it into the future. If they wish to live with that object or thing, they would need to make the decision and sacrifice to give up living in the future and live in the past. They would not be able to return. This would be the Book of the Five Senses.”
Last year was the inaugural Urban Prototyping (UP) Festival, which is a Gray Area Foundation for the Arts initiative. What exactly is urban prototyping? Easy. Watch the video. Not satisfied or don’t have much time to watch the video? Okay, I’ll try to offer a simple, straightforward answer. Urban Prototyping entails gathering artists, technologists, makers, or anyone interested in creating something useful, fun, and engaging for city dwellers as well as visitors and re-imagining the urban environment. From a heart-shaped device capturing your heartbeat and turning it into a musical composition to a street planter using bio filters (yes, urine in this case) to re-purpose waste material, Urban Prototyping re-envisions urban space, landscape, and experience.
It’s been some time since I’ve posted!
Work and finishing up the first semester of grad school had me pretty busy but as the subject line of this post clearly states, I have no resolution for posting or updating. I’m hoping to share great stuff along the way because incredibly phenomenal folks (i.e., professors, classmates, artists, and friends) have shared knowledge and mind-blowing projects. I’ve done a disservice to myself for not making more of an effort to catalog all this great stuff.
So, maybe this is a bit of a resolution, eh?! In any case, Happy New Year and cheers to you, your goals, and aspirations for 2013!!