Press

Live Data by Mashinka Firunts Hakopian, published to Data Relations
Yerba Buena Center for the Arts Announces ‘YBCA 10’ Program by Samuel Getachew for KQED, published on April 16, 2021
10 Artists Will Collaborate on Racial Equity and Climate Justice Projects in the Bay Area by Hakim Bishara, published on April 15, 2021
It Was the Coolest Phone I’d Ever Seen by Heather Schwedel for Slate, published on July 4, 2020
Why the 2020 US Census Matters for the Arts by Deborah Cullinan
Art Students Demand University Accountability and Reimbursements During Pandemic by Valentina Di Liscia for Hyperallergic, published March 27, 2020
82 Grad Teaching Assistants Fired During University of California Strikes by Matt Stromberg for Hyperallergic, published March 24, 2020
Between Body and Machine, a New Humanism Is Imagined by Anna Cahn for Hyperallergic, published March 6, 2019
New York Art Galleries: What to See Right Now for New York Times, published March 21, 2019
Making the invisible seen: Berkeley event connects artists and academia to improve representation on Wikipedia by Adora Svitak for Wikimedia Foundation, published March 8, 2019
Wikipedia hasn’t lost sight of its mission 18 years after launch by Caille Millner for SF Chronicle, published January 18, 2019
American Gun Show Exhibition Explores a National Obsession by DJ Pangburn for The Creator’s Project/VICE, published November 9, 2015
‘Dissidents’ Tackle Displacement and Surveillance in Two-Part Exhibition by Emily K. Holmes for KQED by Emily K. Holmes, published June 3, 2015
Data and Displacement by Sarah Burke for East Bay Express, published May 27, 2015
The Dissidents, the Displaced and the Outliers’: Left out in S.F. by Karen Chun for SFGate, published April 29, 2015
Beyond the Studio: What do artists/writers/curators need? by Christian L. Frock for KQED, published May 12, 2014