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Art Photography Visual Arts

Painting history on the Urban Visual Landscape? Now, THAT is Love…

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An incredible weekend to do an urban hike through the San Francisco streets! Today was one of the best days and our hiking group worked up a sweat walking up and down the hills surrounding Koit Tower. Fortunately, we didn’t ascend the stairs that would bring us to the landmark but we were able to catch glimpses of the urban landscape walking along the downtown San Francisco streets.

Now, since it is Valentine’s day weekend, I wanted to focus on yet another aspect of what makes art such an integral part of a community – the muralist. Some time ago, I had the pleasure of meeting Johanna Poethig during one of her group exhibitions curated by artist, Jenifer Wofford. One of my dear friends suggested I look up from our hike to see the i-Hotel mural. I was astonished by its vibrancy and depiction of Filipino history in San Francisco.

Naturally, being Filipino American, it’s near and dear to my heart. It was Poethig’s tribute to the long fight for low-income housing to the Asian community (predominantly Filipino) via the i-Hotel. Yet, again, another reason and method of how art can capture an individual’s attention (no matter what color, culture, sexual orientation, whatever) and help disseminate a message to the masses. Cheers to, another art crush and hero, Johanna Poethig!!

By Dorothy R. Santos

Dorothy R. Santos (b. 1978) is a Filipina American writer, artist, and educator whose academic and research interests include feminist media histories, critical medical anthropology, race and technology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.

Her writing appears in art21, Rhizome, Hyperallergic, Ars Technica, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the program manager for the Processing Foundation.

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