Upcoming Show, Renovated Reputations by Kenney Mencher at ArtHaus
With touch screen technology, social media, and high definition television, the traditional artist must find ways to captivate an audience in a digital age. Kenney Mencher‘s, Renovated Reputations: Paintings and Fiction inspired by Vintage Portrait Photographs, forthcoming exhibition at the ArtHaus gallery is, certainly, a show that piques my interest.
In reviewing his work, there is definitely a progression in both style and content. The Renovated Reputations should be a treat to individuals not familiar with his work and impressive to those that have followed him over the years. Much of my excitement is seeing him take his strengths (storytelling and fine art painting) and creating compositions that are engaging with a striking energy that is difficult to deny. I’ll post more after seeing the show, which opens on Friday, April 8th.
Dorothy R. Santos
Dorothy R. Santos (she/they) is a Filipino American writer, artist, and educator whose academic and research interests include feminist media histories, computational media, critical medical anthropology, technology, race, and ethics. She is a Ph.D. candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.
Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is an advisor for Brooklyn-based arts and tech organization POWRPLNT and Bay Area-based arts organization slash arts.
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