Categories
Art Art Writing and Criticism

Art Crush: Michael Kimmelman

Some time last week, I watched the documentary, My Kid Could Paint That by filmmaker Amir Bar-Lev. The documentary is definitely worth watching being that it forces the viewer to make up their own mind about the Modern Art movement. Pick it up and please feel free to tell me what you think. As the title of today’s posts states, my new art crush is Michael Kimmelman! He provides his insight and thoughts in the film and, well, you guessed it, those were my favorite parts of the film. Since then, I picked up a couple of his books (via Amazon) for dirt cheap and pretty excited!

  • Portraits: Talking with Artists at the Met, The Modern, The Louvre and Elsewhere (Random House, 1998)
  • The Accidental Masterpiece: On the Art of Life and Vice Versa (Penguin Press, 2005)

I’ll let you know what I think but from reading some excerpts, I’m in love with his writing style!! Of course, of course…white guy writing about art (typical) but I’m attached to Mr. Kimmelman’s ways. He doesn’t know this but he’s helping this POC/WOC* come up in the art world.

Damn, it would be great to meet him one day…

*          *          *          *

*Person/People of Color, Women/Woman of Color – Just in case you were wondering…

*          *          *          *

Oh, and, Josef, if you’re reading this…THANK YOU for telling me to watch the film. I’m sure I would have found MK’s work somehow researching all these art historians and critics BUT you helped me make it a speedy discovery. 🙂

By Dorothy R. Santos

Dorothy R. Santos (b. 1978) is a Filipina American writer, artist, and educator whose academic and research interests include feminist media histories, critical medical anthropology, race and technology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.

Her writing appears in art21, Rhizome, Hyperallergic, Ars Technica, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the program manager for the Processing Foundation.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s