Categories
Art Interactive / Participatory Art Photography Sculpture Visual Arts

MAP: Mobile Arts Platform

The Mobile Arts Platform (MAP) is comprised of two large-scale, interactive sculptures that are “activated” by a mobile exhibitions program. MAP brings together Peter Foucault’s Fal-Core Van and Chris Treggiari’s Mobile Store and will appear in locations throughout the Bay Area. MAP will create an autonomous exhibition space, an artistic research lab where a cross pollination of mediums and genres can occur, be accessible to the public and create strong bonds with the communities we work with. MAP events will include film screenings, visual art, performance art, live music, culinary art, and will feature local talent. In essence, we will build a temporary, creative microcosm where community and creativity can intersect and flourish. In a world where we are becoming more insular with advanced technologies, our events hope to bring residents together having positive interactions with neighbors, and their neighborhood.
~ Taken from the ‘About’ section of the MAP: Mobile Arts Platform site

By Dorothy R. Santos

Dorothy R. Santos (b. 1978) is a Filipina American writer, artist, and educator whose academic and research interests include feminist media histories, critical medical anthropology, race and technology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.

Her writing appears in art21, Rhizome, Hyperallergic, Ars Technica, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the program manager for the Processing Foundation.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s