This is a quote from the movie Contagion. Elliot Gould plays scientist, Ian Sussman, in the film.
You want to know what I say to that statement. Bullsh*t!
As a contributor to a few organizations, I have the pleasure of working with editors and supporters that give me extremely useful and productive feedback that not only improves my writing, but my critical thinking skills. Admittedly, I love the quote because there are many bloggers who exhibit poor grammar, diction, syntax, and total lack or desire to EDIT. However, there are bloggers, such as myself, that constantly try to improve and use our blogs as a reference and a record of our learning, our musings, our mistakes, mishaps, and observations of the world. Okay, I’ll kick the soapbox to the corner now.
Last thing, what the hell does a scientist know about writing? I’ve met a good number of scientists that are not very articulate. Okay, okay, enough. I need to work on some writing deadlines (yes, it never (ever) ends). Playing catch up has been very difficult lately. As one of my favorite professors has reminded me about the nascent stage of any piece – you gotta turn on the faucet and let the brown water run!!
Let’s hope the plumbing is all right…
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Dorothy R. Santos
Dorothy R. Santos (she/they) is a Filipino American writer, artist, and educator whose academic and research interests include feminist media histories, computational media, critical medical anthropology, technology, race, and ethics. She is a Ph.D. candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.
Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is an advisor for Brooklyn-based arts and tech organization POWRPLNT and Bay Area-based arts organization slash arts.
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