Dorothy R. Santos

Over the weekend, I visited the Yerba Buena Center for the Arts and saw The Matter Within: New Contemporary Art of India exhibition. I found myself making my way back to Sudarshan Shetty’s installation work. Both Untitled pieces (the above from his ‘Saving Skin’ series and the one below from his ‘Stab’ series) intrigued me. Although the mechanism tipped the pot back and forth with a constant, even rhythm that mimicked human movement, the piece presented tension and discomfort. The overall work presents the duality of new and old technologies

As noted on the exhibition placard for his work, the pot is a part of a series that ,

…recalls the loss of connection with earth and body, represented by the traditional earthen pot, in an increasingly mechanized universe.

~Source: YBCA exhibition placard

Similarly, the intricately wooden chair coupled with something modern and contrasts with tradition. The relationship of the old and modern world presents the strain between tradition in a rapidly evolving world.

I’m not sure if it’s the abundance of red coupled with the quantity of highly rendered oil and acrylic paintings on each bottle (some easily identified as Hershey’s Cocoa Powder and syrup containers) but this piece worked extremely well. It provided commentary on the nature of consumerism and vibrancy of pop culture imagery in Punjabi society.