This summer has been extremely eventful. Amongst research, reading, writing, and just generally trying to get and keep my act together, I’m delighted that I’m the Blogger-in-Residence with art21!! Wow. I’m absolutely honored and thrilled about this opportunity. Please check it out and comment on the writing. I’m completely open to the dialogue and welcome it. While I don’t particularly care for disparaging remarks, if you disagree with anything I write, please comment. I invite you to offer up something you feel I overlook or ask a question. While the residency takes on a bit of an experimental platform writing-wise, I would love to yield recommendations of artists to look at as well as diverse views on artists, new media arts, and exploring the concept of networks (the theme for both July and August!). Happy Reading and, most importantly, thank YOU for your support. 🙂
By Dorothy R. Santos
Dorothy R. Santos (b. 1978) is a Filipina American writer, artist, and educator whose academic and research interests include feminist media histories, critical medical anthropology, race and technology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.
Her writing appears in art21, Rhizome, Hyperallergic, Ars Technica, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the program manager for the Processing Foundation.View Archive →