Please take some time to visit KQED Arts today. I am honored to be included in Christian L. Frock‘s piece “Beyond the Studio: What do Artists/Writers/Curators Need?” I highly encourage reading through the thoughtful responses from members of the arts community such as Anuradha Vikram, Megan Wilson, Christine Wong Yap, Elizabeth Travelslight, Matthew Harrison Tedford, Taraneh Hemami, Matt Sussman, and Rhiannon E MacFadyen. It would be great for you, dear reader, to answer the question as well by leaving a comment.
Trust me, it’s a great conversation and much-needed. Lastly, I agree with Christian when she says, “Figuring out what artists need isn’t complicated — start by listening.”
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Dorothy R. Santos
Dorothy R. Santos (she/they) is a Filipino American writer, artist, and educator whose academic and research interests include feminist media histories, computational media, critical medical anthropology, technology, race, and ethics. She is a Ph.D. candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.
Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is an advisor for Brooklyn-based arts and tech organization POWRPLNT and Bay Area-based arts organization slash arts.
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