
It’s been over a month and my aspiration of writing more regularly has taken a back seat to the rest of the work and projects I’ve been concentrating on. In any case, I’m going to TRY and consistently bring content onto my blog that not only resonates with me, but with you as well. There are SO many things going on and some incredible projects coming up in the next couple of months and one coming to a close (i.e., working on creative writing project, meeting and editing contributors’ work for the new asterisk magazine, and a well received exhibition). But I have learned, rather quickly, that I can’t afford to burn out due to my inability to say “no.” It’s tough, but I’m learning.
Lessons learned (for the year thus far): I have to respect and honor “me” time (this includes writing for myself and as a creative outlet). I’m trying. In the meantime, I WANT this skill (see GIF).
Published by
Dorothy R. Santos
Dorothy R. Santos (she/they) is a Filipino American writer, artist, and educator whose academic and research interests include feminist media histories, computational media, critical medical anthropology, technology, race, and ethics. She is a Ph.D. candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.
Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is an advisor for Brooklyn-based arts and tech organization POWRPLNT and Bay Area-based arts organization slash arts.
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