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How I found Aaron Lawrence – Outside his studio

I’m a huge believer in seeing art everywhere. Many people believe art must be an object (i.e., painting, drawing, etc.) exhibited inside museum and/or gallery walls and reserved for some elite group’s viewing pleasure. The contemporary artist must be well-rounded though (i.e., staying apprised of the arts and technology). Look at Takashi Murakami. Fans of Hip Hop artist, Kanye West, are probably very familiar with Murakami’s art and design for album cover, Graduation. Yet, I’m wondering if these same individuals know Murakami had a series of sculptures exhibited at the Palace of Versailles or that his work is auctioned off by Sotheby’s to very wealthy collectors. Probably not.

Having the technical skills and a fine arts sensibility to execute graphic design and illustration that inevitably becomes a part of a culture’s visual language makes for one powerful artist. I like to believe that graphic designers and illustrators have that fine arts artist in them. Like Murakami, Aaron Lawrence is well on his way to designing himself into the Bay Area’s visual landscape.

So, how did I found Aaron Lawrence? Well, I was sitting at The Summit cafe (which is a fantastic and unique cafe/gallery/tech space and oh so fitting for my discovery) in San Francisco’s Mission District. As always, I was thumbing through the books and zines displayed in their library. I found a piece of wood with a well designed print on it. It told me to find its creator – Aaron Lawrence.

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Now…if he can only create more of that fine art. Crossing my fingers. Enjoy his answers to my Art 10 questions.

* * * * * * * * * *

1. What is your favorite (art) word?

Collaboration

2. What is your least favorite (art) words?

Cannot

3. What keeps you going when you’re in the studio?

Everything. People, architecture, nature, other art – there is inspiration all around, if you look.

4. When do you know you’re done in the studio?

Time schedule or when I finish a piece.

5. What words do you love to hear at an art show (your show or any show)?

Inspiring, fun, and had a good time.

6. What words do you hate to hear at an art show (your show or any show)?

$10 cover

7. What is your favorite curse word?

Shit

8. What profession other than being an artist would you like to attempt?

Helping the poor.

9. What profession would you not like to do?

I saw this TV show where this guy’s job was to squeeze the shit out of baby chickens. I don’t want that job.

10. If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?

Welcome.

You can learn more about Aaron’s work by visiting his website.

A special treat for you – image of  next month’s SF Guardian’s Christmas issue! Thanks, Aaron!


By Dorothy R. Santos

Dorothy R. Santos (b. 1978) is a Filipina American writer, artist, and educator whose academic and research interests include feminist media histories, critical medical anthropology, race and technology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.

Her writing appears in art21, Rhizome, Hyperallergic, Ars Technica, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the program manager for the Processing Foundation.

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