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opencities-ybca

 

FREE with RSVP: http://opencityartcity.tumblr.com/

Open City/Art City Festival
October 4, 2014
YBCA, 701 Mission St, San Francisco, CA 94113
11am – 8pm

For those who want the specific details of the panel I will be participating on, here you go!

Artful Models: Creative Solutions to Our Changing Industry (YAAW Lounge at 7:00 PM)
Moderated by Rhiannon MacFayden, Founder, A Simple Collective

Artists are tinkerers, rebuilders, inverters, and the do-it-yourselfers. Historically, artists have also been socioeconomic “canaries”—the first (vocal) casualties of financial and political wind-shifts. As our economies and communities change, and we continue to hemorrhage local artists, beloved nonprofits, and established galleries, creative “artrepreneurs” are finding new models to keep the industry, and their vision, thriving. We’ll ask some of these nimble innovators about their view of the current climate and what they’re doing to create solutions to our art-world problems.

Panelists:

  • Danielle Siembieda-Gribben, The Art Inspector: from performance to business
  • Dorothy Santos, Grey Area Foundation: Discussing their big changes and why
  • Noah Weinstein, Autodesk Artist Residency: A symbiotic model for supporting artists while building technology
  • Rhiannon Evans MacFadyen, A Simple Collective + ASC Projects: An experiment in hybrid gallery models
  • Tim Roseborough, Artist “Meta-Practice”, art through marketing/marketing through art

Craving more information about #opencities2015? Check out the details of the event and learn more about the partnering organizations below! 

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Yerba Buena Center for the Arts (YBCA) and The Institute for the Future (IFTF) are teaming up to engage the public through a creative and generative weekend that looks at how we transform a city. The weekend consists of IFTF’s Maker Cities’ Conference (Oct. 3) and the Open City/Art City Festival (Oct. 4). Through a vibrant mix of art installations, speakers, participatory activities, performances, music, food, and play, IFTF and YBCA invite the Bay Area community to imagine how we can build a city that is more open, creative and inclusive.

The Open City/Art City Festival seeks to leverage the essential role we all play in civic life and the future of our city. We want to explore the infrastructures, assets, and places needed within cities locally and globally to enable access to artistic exploration, inspiration, participation, collaboration, and opportunity.

The Festival provides a unique occasion to connect with some of the most progressive leaders in the Bay Area who are on the forefront of socially engaged enterprises in the arts, the public sector, urban design, and technology. Join us in uniting our diverse communities together to help frame generative dialogue, identify opportunities for collaboration, community engagement, collaborative design of our public spaces, and inclusive, citizen-centered city models.

As dialogue, connectivity, advocacy, storytelling, and cross-disciplinary innovation are increasingly woven into projects produced by artists and civic technologists, the boundaries between passive and active participant are diminished in lieu of a civic-minded and interdependent community. We hope that by providing a venue for stakeholders and community members to facilitate discussion, we can amplify the broad range of perspectives that comprise our city, and inspire new ways to shape the future. We are truly excited to help foster new, resilient connections in the community and facilitate mutually beneficial relationships across disciplines and industries in the Bay Area. And more to come!

ABOUT THE ORGANIZERS

Institute for the Future (IFTF) is an independent, nonprofit strategic research group with over 46 years of forecasting experience. Our mission is to help organizations, communities, and individuals think systematically about the future. We pioneer tools and methods for building foresight and insight to drive more informed and thoughtful action today. IFTF is based in Palo Alto, California.

Yerba Buena Center for the Arts (YBCA) was founded in 1993 out of an expressed need for an accessible, high-profile San Francisco venue devoted to contemporary visual art, performance, and film/video representing diverse cultural and artistic perspectives. Distinguished by its support for contemporary artists from around the world, YBCA is also recognized for the important role the organization plays in the San Francisco Bay Area arts ecology and in the community at large. From its award-winning youth arts and activism job training program, Young Artists at Work, to the acclaimed triennial Bay Area Now multidisciplinary arts festival, YBCA has established its leadership role as a champion of living artists working in the Bay Area.

TOPICS INCLUDE

• Systems of Support and Strengthened Infrastructures for Vibrant Arts and Culture
• Uniting Civic Technology with Arts Civic Practice
• Digital Divide, Inclusive Technology Movement
• “Re-engineering” the Relationship between Art and Technology in the Bay Area
• Maker Cities – The “Maker Mindset” to the Complex urban challenges of health, education, food, and citizenship
• Economic Shifts and Gaps – Addressing Equity – Changes in Neighborhoods and its Impacts
• Public and Private Partnerships – Leveraging New Resources and Capital

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I am THRILLED to co-present along with An Xiao Mina and Ben Valentine at the Dissident Futures Art and Ideas Festival. Please RSVP through YBCA’s site here. It will be good times and lots of great conversation. It’s been a great year thus far. Although it’s been extremely challenging to balance work, school, and freelance work, I’ve been handling it without my head completely rolling off and away from my body! Please consider checking out the festival and paying our panel a visit and talking to us. 🙂

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Dissident Futures Art and Ideas Festival
Sat, Nov 23, Noon–9 PM
Grand Lobby, Screening Room, Third Street Courtyard, Youth Arts Lounge
FREE w/ RSVP

YBCA invites you to participate in a one-day interactive festival in conjunction with the Dissident Futures visual arts exhibit in our Downstairs Gallery. The festival will bring our communities together to explore and investigate possible futures envisioned by artists, urban planners, environmentalists, scientists, robotic experts, designers, programmers, and food activists through dynamic workshops, lectures, performances, interactive media, music, and more.

In the Bay Area, there are a wealth of future-facing projects, involving practical innovations in technology and science. Some of these creative yet pragmatic endeavors are informed by utopian dreams and fueled by a local culture that looks to the future with hope and a predominant strain of optimism at what may come. The worldwide effort to consider and shape the future is being conducted by diverse actors including artists, scientists, teachers, and activists. The breadth of ideas and emergent forms ranges vastly, and given the scope and rising pace of these activities, ideas, and aspirations around the future, it is an exciting time for us to look critically at the participants and the outsiders in this conversation.

We want to bring people together in dialogue with members of our Bay Area community who have the tools to envision a future that expands on the best of our aspirations and builds on our technological advances, but keeps in check negative vectors such as climate change, rising income inequalities, and gaps that exist for power distribution and influence. We want to look at the entire ecology and foster discussions that move us forward.

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Noon: Opening Remarks by YBCA Executive Director Deborah M. Cullinan and Talks by Ray Gilstrap and Architects/Designers/Planners for Social Responsibility (ADPSR), Grand Lobby

Noon–8 PM: Artist booths by Fantastic Futures, Takehito Etani, Peter Foucault, Young Gifted and Black, GAFFTA, and Institute for the Future, Grand Lobby

Throughout the Day: Food, Music, Performances, and Mini Maker Faire, Third Street Courtyard

1–8 PM: Artist Presentations

1–2:30 PM: Future Cities Lab: Work of Future Cities Lab, Screening Room; Walidah Imarisha: Workshop on Sci-Fi and Social Movements, Youth Arts Lounge

2:30–4 PM: Code for America: Discussion on Open Government, Screening Room; Long Now Foundation: Manual for Civilization and GAFFTA: Creative Technology for Social Good and Urban Prototyping, Youth Arts Lounge

4–5:30 PM: Institute for the Future Fellows: Creating a Future for Good, Screening Room; Green House Project: Urban Agriculture—Rethinking Urban Density, Youth Arts Lounge

5:30–7 PM: InsTED Talks with Jaime Cortez, L. M. Bogad, Bill Hsu, and Jenifer Wofford, Screening Room; Kal Spelletich: Research and Survival in the Arts, Youth Arts Lounge

8–9:15 PM: Video Game Monologues, Screening Room; Dorothy Santos, An Xiao Mina, Ben Valentine: The Honeymoon’s Over—Arts and Culture Criticism in the Age of Networked Power, Youth Arts Lounge

2–4 PM: Performance by Michael Zheng, Grand Lobby; Performances and music by Brontez Purnell, Majo, Pangea F.C., Third Street Courtyard

7–8 PM: Performance by Jenifer Wofford and Kyle Herbert, Grand Lobby; Music performances, Third Street Courtyard

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Dorothy Santos is a freelance art writer, blogger, curator, and visual and critical studies geek. Born and raised in San Francisco, she holds bachelor’s degrees in philosophy and psychology from the University of San Francisco. As arts editor and curator of Asterisk San Francisco Magazine + Gallery, and blogger for ZERO1 and Gray Area Foundation for the Arts (GAFFTA), she enjoys writing about artists and engaging with the community. Her work appears in ArtPractical,Stretcher, Creative Applications Network, Daily Serving, Hyperallergic, Art21, and Planting Rice. She serves as a board member for the SOMArts Cultural Center and is currently pursuing her master’s degree in visual and critical studies from the California College of the Arts. Her research emphasis is on computational aesthetics, programming, coding, and open source culture and their effects on contemporary art.

An Xiao Mina is an artist, designer, writer, and a technologist. In her research and practice, she explores the intersection of networked, creative communities and civic life. Calling memes the “street art of the internet,” she looks at the growing role of internet culture and humor in addressing social and political issues in countries like China, Uganda, and the United States. Her writing and commentary have appeared in publications such as The Atlantic, Fast Company,Wired and others, and she has lectured at conferences such as the Personal Democracy Forum, the Microsoft Social Computing Symposium, and Creative Mornings. She is a 2013 USC Annenberg / Getty Arts Journalism Fellow and is co-founding The Civic Beat, a global research group and publishing platform focused on internet culture and civic life around the world.

Ben Valentine is a strategist and contributing author for the Civic Beat as well as a freelance cultural critic, curator, and creator based in Oakland. He recently organized Global Space, a groundbreaking exhibition for the Indianapolis Museum of Contemporary Art on the changing face of the individual in a neoliberal and networked world. Valentine also co-curated the world’s first Tumblr Art Symposium, which included commissioned essays, panelists, and an exhibition on the visual networked culture emerging all over the world, especially on Tumblr. His writing has appeared on publications like Hyperallergic, Salon, and Medium. He is currently preparing for a residency at the Internet Archive in San Francisco and working on building a Spanish and English Twitter translation platform for citizen journalism across linguistic and geographic borders.

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Artist Profile: Sita Bhaumik

Technology allows us to exchange pictures of our caloric intake with the rest of the world with a few clicks, swipes, and use of a snazzy filter. Specifically, in San Francisco, a cosmopolitan place brimming with an incredibly diverse population, it’s relatively easy to experience food from a seemingly vast array of cultures. Whatever you want, San Francisco probably has a place or a person that could lead your nose and taste buds to something that will satiate you. Art offers a very similar experience. With our collective compulsive nature to share photos of things we can’t even taste or smell speaks to our collective desire to be connected. While food nourishes us, it also activates our creativity. Cooking and eating is a way to let others into the particulars of what we allow into our bodies. What happens when food is used to describe the relationships we have with ourselves, our history, culture, or our ethnicity? What happens when food becomes the medium of an artwork? Or when it goes beyond the sense of sight and envelopes you in a completely multi-sensory experience? Food provides us with a lot of information about who and what we are. Think about an ornately covered wall dusted in nothing but curry. Imagine a room filled with the aromatic smell of cinnamon. Contemplate the use of ice cream and edible inkjet prints. This makes up only a fraction of the artwork created by Bay Area installation artist, Sita Bhaumik.

As an artist, writer, and educator, Bhaumik does an extraordinary job at explaining the intricacies and constructs around weighty topics such as identity, culture, gender, and ethnicity, yet in such a whimsical, dynamic, and sometimes comical way. She manages to showcase her extreme wit and intelligence and makes history, cultural observations, and art digestible (pun intended). As a writer and scholar, Bhaumik re-invents the way in which we react to and contemplate food. She mentions in her writing, “Whether we’re in front of the television or at a museum, we arrive with tummies rumbling, ready to consume. On the one hand, food is a necessity. On the other, food is a luxury, trend, marketing opportunity, movement, and social-justice issue”. As much as food is a necessity, there are varying levels of accessibility and openness to scents and tastes that appear unfamiliar. Cumin, coriander, turmeric, garam masala, and chili powder on paper are only some of the ingredients Bhaumik uses to communicate something deeper about thought processes and perceptions of ourselves and others. Her work investigates and serves as a brilliant metaphor for the way in which we encounter someone outside of ourselves. Not only is her work elegant and meticulously done, it is an ingenious way to have people foster a different relationship with food as well.

With the wide array of fusion foods and cuisines that make up the Bay Area, it certainly is a place for the creative intellectuals to whet the community’s appetite with innovative ways of seeing and experiencing art. Bhaumik’s workis certainly a testament to the creativity and the diverse art practices found in San Francisco. As we enter into the Fall months, Bhaumik already has her schedule filled with events and a residency! She will be participating on a Scholar’s panel entitled, Food in Focus: Asian and Latin American Cross-Cultural Cooking, for the Asian Culinary Forum. As the upcoming Bathroom Resident at 18 Reasons, Bhaumik’s inaugural show for the residency will open in October. Her work is certainly an experience. So, the next time you consider playing with your food, you want to think what Bhaumik may do given those same ingredients.

To learn more about artist Sita Bhaumik, visit her website here

Originally posted to Asterisk SF Magazine + Gallery site, please view here 

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It’s been a few weeks since grad school started and I must say…I love it. The people, the discussions, the seminars, the reading (yes, even the ‘dry’ and ‘dense’ stuff) has been great. As challenging as it is to balance work with school and freelance obligations, I feel like I’ve had no other choice but to become extremely organized. Although there will be tough times ahead (I’ve already experienced a couple of late night study/writing sessions!), I have already grown significantly. My writing practice is shifting and taking such a different course. It’s all new territory for me but my brain is enjoying the cerebral nourishment. For anyone remotely interested in learning a bit more about the classes I’m taking, you can click here, here, and here. If you have any questions or want to share your thoughts, please feel free to leave a comment.

I took a few pictures from our department dinner this past Friday. I had the opportunity to meet second and third year grads and spend some time with a few of my classmates. The Ramp was a great choice and drinks at dusk was such a great way to end the week. 🙂

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SOMArts Cultural Center and The San Francisco Foundation present a focused look at the future of the Bay Area visual and media arts landscape, September 4–October 2, 2012. The Annual Murphy and Cadogan Contemporary Art Awards Exhibition showcases the work of promising visual artists from regional Masters in Fine Arts (MFA) programs working across disciplines and identifies young artists whose work connects directly to the pulse of emerging trends.

Below, check out videos of previous award recipients!

All of the above information and embedded videos are provided courtesy of SOMArts Cultural Center.

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Rio Yanez, Artist Profile

In the early 20th century, San Francisco felt the effects of disaster. The earthquake of 1906 left the city with crumbled buildings and widespread devastation throughout the downtown area, so art was probably not on the minds of civil servants and residents trying to recuperate and clean a city in disrepair. Artwork from this period in San Francisco history, such as works by Jules Page, showed a San Francisco landscape unharmed by natural disaster; Page’s work captured the vibrancy of the city. In such a digitally laden age, shows may not commonly feature serene paintings of the San Francisco cityscape. But there’s still a deep appreciation for artists who incorporate the city through an artistic lens that gives the viewer a strong sense of the city’s essence.

In searching for a contemporary San Francisco artist who uses San Francisco as a primary element within their work, we found Rio Yañez. At Muddy Waters Coffee House on San Francisco’s popular Valencia Street, a young man wearing a black, Star Wars–themed Dia de Los Muertos T-shirt approaches and kindly greets me. As a native San Franciscan, Yañez grew up on 26th Street to parents who were both visual artists. In the 1970s, his father was a collage artist and curator, while his mother was a painter. Rene Yañez, his father, remains highly active in the Bay Area arts community today. Father and son have co-curated shows and worked in tandem, most recently on a 3-D art project enticing viewers into a rich dialogue both visually and physically. In addition, Yañez created 3-D conversions of his father’s other work. As co-founders of art group The Great Tortilla Conspiracy, the duo silkscreen tortillas with chocolate ink and create edible works of art that serve as both interventions and experimental art.

One of the life-changing events for Yañez was turning to photography in high school. Soon after graduation in the late 1990s, he started the City College of San Francisco associate degree program in photography, marveling at two-megapixel cameras. He found something exciting and rewarding. He moved to Southern California to attend the prestigious California Institute of the Arts (CalArts), where he received his bachelor’s degree in photography. Upon returning to the Bay Area, he wanted to mesh his photography skills with his love and fascination for sequential art. The end results were dynamic artworks that coalesced photography, drawing and new media. His childhood obsession with comic books resurfaced and can be seen in some of his most current works. Yañez continues to work digitally but is exploring

ways that he can apply his knowledge to other formats. With a fascination of moving GIFs, or cinemagraphs, he continues to pay homage to the San Francisco cityscape and memories that shape his spirited and energetic work.

Even with significant differences in medium, the common thread between Page and Yañez is the desire to illustrate San Francisco in a way that captivates and piques the curiosity of the viewer. Both artists utilize San Francisco as a subject, but Yañez shows how the city has grown, developed and changed over the past century. He successfully aims to show his San Francisco in such a way that any viewer—whether newcomer, transplant or native—is more than welcome to join in on the dialogue.

Upcoming Shows: Counterproof: The Other Side of Print at Incline Gallery with The Great Tortilla Conspiracy ~ April 13. To learn more about Rio Yañez visit his website. RioYanez.com

Originally posted to Asterisk SF Magazine. Please view here.