It’s been a relatively relaxing new year’s weekend but as I prepare for the week, I’m pondering what I’m hoping to achieve, art and writing wise, this year. As the subject line states, New Media Art, has definitely piqued my interest. I love traditional art (for me, traditional art includes drawing, painting, and sculpture, pretty much all things ocular) but one of the many things I love about art is the nature to evolve into something different that pushes the viewer’s understanding and perceptions. One of the magazines I picked up last year, Elephant, actually delves into how the commercial artist use their skills to create works, by art world standards, considered to be fine arts. New media artists face a challenge. Being part of a technologically driven world, how does a such an artist define themselves? How does one create work that both engages but can elevate the viewer to a higher level of thought? In any case, I’m definitely hoping to explore these topics and answer them along the way. What’s your idea of new media art? I’d certainly like to know what it is!
By Dorothy R. Santos
Dorothy R. Santos (b. 1978) is a Filipina American writer, artist, and educator whose academic and research interests include feminist media histories, critical medical anthropology, race and technology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.
Her writing appears in art21, Rhizome, Hyperallergic, Ars Technica, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the program manager for the Processing Foundation.View Archive →