1. What is your favorite (art) word?
2. What is your least favorite (art) words?
Derivative ( everything is in one way or another).
3. What keeps you going when you’re in the studio?
Music, art books, and comic books.
4. When do you know you’re done in the studio?
When i start to fuck up, fall over, or fall asleep.
5. What words do you love to hear at an art show (your show or any show)?
I love it.
6. What words do you hate to hear at an art show (your show or any show)?
Anything idiotic like, “how long did it actually take to paint it?” or, “It doesn’t go with my furniture!”
7. What is your favorite curse word?
Twat, fuck or any combination of the two.
8. What profession other than being an artist would you like to attempt?
9. What profession would you not like to do?
10. If Heaven exists, what would you like to hear God say when you arrive at the Pearly Gates?
Your dad’s round the corner.
Dorothy R. Santos
Dorothy R. Santos (she/they) is a Filipino American writer, artist, and educator whose academic and research interests include feminist media histories, computational media, critical medical anthropology, technology, race, and ethics. She is a Ph.D. candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.
Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is an advisor for Brooklyn-based arts and tech organization POWRPLNT and Bay Area-based arts organization slash arts.
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