Currently working on a piece about New Media work by Joseph DeLappe and the Tool Shed Days art collective. Quite honestly, I’ve been working on this piece for the past couple of weeks off and on because I wanted to explore the notion of the new media artists re-interpreting virtual space as a public place for protest and civil disobedience. I believe I’m onto something. In any case, I need to get the piece done and with a fairly open Sunday, I think I can really (truly) punch something out. Wish me luck.
Oh yeah…about the subject line…’Contemporary vs. Post-Modern vs. Post Post Modern’…Where do you think New Media artists reside on the spectrum? I’m curious. Please feel free to answer the poll below and share your thoughts.
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Dorothy R. Santos
Dorothy R. Santos (she/they) is a Filipino American writer, artist, and educator whose academic and research interests include feminist media histories, computational media, critical medical anthropology, technology, race, and ethics. She is a Ph.D. candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.
Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is an advisor for Brooklyn-based arts and tech organization POWRPLNT and Bay Area-based arts organization slash arts.
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