I have no idea the mastermind behind the Covers & Citations blog but it’s pretty, well, as the young kids say (okay, young kids in the 1980s), RAD! I discovered it looking for Eve Babitz and Marcel Duchamp’s famous chess match photograph and found a bevy of art re-makes/mixes/interpretations. You get the idea. I’m sure there are tons of virtual spots on the internet where you can find such a catalog but this is an easy-to-view and search, minimalist presentation of some famous artworks and predecessors.
Why do I love collections and catalogs?
I love collections and catalogs because they show what’s been done and how it’s been re-done and re-contextualized. It’s far too easy to say art is derivative. Art stems from experiences. Experiences, from artist to artist, are singular and not like the other. In any case, Covers & Citations, whoever you are, thanks for doing this. You may have been around for ages and I just not know it but I’m glad I found you…
Published by
Dorothy R. Santos
Dorothy R. Santos (she/they) is a Filipino American writer, artist, and educator whose academic and research interests include feminist media histories, computational media, critical medical anthropology, technology, race, and ethics. She is a Ph.D. candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.
Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is an advisor for Brooklyn-based arts and tech organization POWRPLNT and Bay Area-based arts organization slash arts.
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