We Feel Fine is on exhibit at the Adobe Museum of Digital Media. First, I’m utterly smitten and enthralled with data visualization work. Harris and Kamvar created this project back in 2005 and wanted to show the world’s feelings, individually and collectively, to showcase the human condition in a way that was both engaging and begs the question of whether we are truly alone in the way we feel. The answer is yes (and no). As unique as we all are, there are universal ideas/concepts/feelings humans experience everyday and We Feel Fine is a contribution to the digital media and arts movement that is evidence of the desire to be connected to the world, to each other, whether we admit it or not.
Dorothy R. Santos
Dorothy R. Santos (she/they) is a Filipino American writer, artist, and educator whose academic and research interests include feminist media histories, computational media, critical medical anthropology, technology, race, and ethics. She is a Ph.D. candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society. Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is an advisor for Brooklyn-based arts and tech organization POWRPLNT and Bay Area-based arts organization slash arts.
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