If you are in the New York area (Hunter College, specifically) from March 1-2, please consider attending the Theorizing the Web 2013 Conference. I will be presenting my research as a part of a panel discussion titled, “You are what you Post” during the Saturday breakout sessions. I will also be serving as a hashtag moderator for the panel, “The Participatory Culture Industry.” The conference will be live streamed so if you are remote, no fear. You will be able to log on for an augmented conference experience. It is an extreme honor to be included in such fine company! Look out for my tweets and tumblr posts. It would also be wonderful to see you on the Twitter stream during the conference. 🙂 Please click on the flyer above for more details!
Dorothy R. Santos
Dorothy R. Santos (she/they) is a Filipino American writer, artist, and educator whose academic and research interests include feminist media histories, computational media, critical medical anthropology, technology, race, and ethics. She is a Ph.D. candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society. Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is an advisor for Brooklyn-based arts and tech organization POWRPLNT and Bay Area-based arts organization slash arts.
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