The flickering, multi-colored lights of Shih Chieh Huang’s installation Synthetic Seduction, now on view at the Yerba Buena Center for the Arts, reminds me of the cellular and molecular models found in biology classrooms. When I was a student, one of the ways in which I learned about organic forms was by placing mitochondria, lysosomes, and nuclei in their correct locations in these models. Huang also re-creates life with synthetic, mundane materials, but with much more technical and mechanical sophistication. While Huang’s forms may not overtly mimic reality, his work serves as an interpretation of structures working in concert. Read the entire write-up here.
Dorothy R. Santos
Dorothy R. Santos (she/they) is a Filipino American writer, artist, and educator whose academic and research interests include feminist media histories, computational media, critical medical anthropology, technology, race, and ethics. She is a Ph.D. candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society. Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is an advisor for Brooklyn-based arts and tech organization POWRPLNT and Bay Area-based arts organization slash arts.