On Saturday, January 20, from 12-2 p.m. I will be participating in the second part of a two-part program, which will be a reading and recording of Ursula K. LeGuin’s The Dispossessed.
Artists Danielle Aubert, Sofia Cordova, Liz Hillie, Courtney Johnson and I will read from The Dispossessed with an emphasis on the marks found in over one hundred used copies. Gallery visitors are welcome to sit and listen to the reading and to follow along with a used copy. This reading will be recorded.
To learn more, please visit the event link here.
Dorothy R. Santos
Dorothy R. Santos (she/they) is a Filipino American writer, artist, and educator whose academic and research interests include feminist media histories, computational media, critical medical anthropology, technology, race, and ethics. She is a Ph.D. candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.
Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is an advisor for Brooklyn-based arts and tech organization POWRPLNT and Bay Area-based arts organization slash arts.
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