In art the object is the work produced by art, as much containing elements of empirical reality as displacing, dissolving, and reconstructing them according to the work’s own law. Only through such transformation, and not through an ever falsifying photography, does art give empirical reality its due, the epiphany of its shrouded essence and the merited shudder in the face of it as in the face of a monstrosity. The primacy of the object is affirmed aesthetically only in the character of art as the unconscious writing of history, as anamnesis of the vanquished, of the repressed, and perhaps of what is possible. The primacy of the object, as the potential freedom from domination of what is, manifests itself in art as its freedom from objects. If art must grasp its content [Gehalt] in its other, this other is not to be imputed to it but falls to it solely in its own immanent nexus. Art negates the negativity in the primacy of the object, negates what is heteronmous and unreconciled in it, which art allows to emerge even through the semblance of the reconciliation of its works.
~Theodor Adorno, Sociologist, philosopher, and musicologist
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All the guiding you need to read this post…
The italic = Theodor Adorno
The bold = My interpretation (feel free to comment, debate, and question)
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In art the object is the work produced by art, as much containing elements of empirical reality as displacing,
Art making produces an object. Art is physical and entails use of the senses.
dissolving, and reconstructing them according to the work’s own law. Only through such transformation, and not
The art object changes over time and on its own accord. The object transforms but not within
through an ever falsifying photography, does art give empirical reality its due, the epiphany of its
the some kind of altered image. The transformation of the art stems from experience and observation.
shrouded essence and the merited shudder in the face of it as in the face of a monstrosity. The primacy of the object is
The revelation of meaning arises, often times, abruptly. Immediacy and comprehension of the object
affirmed aesthetically only in the character of art as the unconscious writing of history, as anamnesis of the vanquished,
is confirmed through its formal qualities (i.e., that which is observable) and revealing of history and culture.
of the repressed, and perhaps of what is possible. The primacy of the object, as the potential freedom from domination
Essentially, when the art object ceases to be a mere object but becomes an idea and the experience of it –
of what is, manifests itself in art as its freedom from objects. If art must grasp its content [Gehalt] in its other, this other
an abstraction and fertile ground for discourse. Art as well as the art object are interconnected. The notion
is not to be imputed to it but falls to it solely in its own immanent nexus. Art negates the negativity in the primacy of the
of the ‘other’ in the arts is subjective. Overall, art presents opposites simultaneously (i.e., light and dark,
object, negates what is heteronmous and unreconciled in it, which art allows to emerge even through the semblance of
heterogeneous/homogenous, desires and needs, constructs and deconstructs). Basically, art is
the reconciliation of its works.
fu*cking important. 🙂
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