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Art

Reclaiming the Future Exhibition and Long Conversation on August 17, 2019

Mapping of a story line for Press 1 to be Connected in the open source platform, Twine

About Reclaiming the Future

“What is at stake for the human animal in this critical moment in our evolution? Will we survive this “technological adolescence”? How can we reclaim optimism in the face of future technology? On August 17, 2019, a group of creative thinkers and makers will assemble to consider these questions in a radical new conversation format.

Unfiltered. Unmoderated.​

A Long Conversation is a relay of two-person dialogues for a set period of time, unified by a common prompt. Each speaker brings one idea to the stage about how to reclaim optimism in the face of future technology—a trend, an artwork, an innovation, a breakthrough, a movement.”


Learn more and buy tickets for the event here.


I’m excited to share that I’ll be showing my work Press 1 to be Connected. I’ve been working on this piece for the past year, but realized its physical form (and became obsessed with telephone technology, systems of care, and telecommunications) during my Stochastic Labs residency. I feel incredibly honored to be among extremely phenomenal artists, writers, scientists, and cultural producers at Reclaiming the Future.

And, suffice it to say, I’ve got a thing for the future as well 😉

By Dorothy R. Santos

Dorothy R. Santos (b. 1978) is a Filipina American writer, artist, and educator whose academic and research interests include feminist media histories, critical medical anthropology, race and technology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.

Her writing appears in art21, Rhizome, Hyperallergic, Ars Technica, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the program manager for the Processing Foundation.

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