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Anthropofagia, Forensic Architecture and the Ethos of Consent w/ Carmen Aguilar y Wedge & Dorothy Santos

April 8, 2021 episode for z\topia

Carmen Aguilar y Wedge, Co-founder, Creative and Experience Designer at Hyphen-Labs and I were guests on z\topia on April 8, 2021.

Highlighted Articles:
⦿ Anthropofagia: We’re All Eating Each Other
⦿ Walled Unwalled (2018) by Lawrence Abu Hamdan
⦿ ANTARCTICA (2019) by Syrus Marcus Ware
⦿ TogetherNet by xin xin

Learn more below and please visit this link to access this episode: https://vimeo.com/538126954https://vimeo.com/538126954

ZTOPIA is a webinar-format talk show where designers are invited to muse, speculate and poke at topics they’ve found on the internet. It’s an hour of asking questions and coming up with serious and silly ideas.

Music:
Chvrches – The Mother We Share (Moon Boots rmx)
soundcloud.com/moonbootsmusic/the-mother-we-share-moon-boots

We do not own rights to this music.
Please support our artists and musicians. Go buy their music and art.

Opinions expressed are our own, they do not represent the opinions of our employers

Thank you to all the essential service workers keeping us alive during the pandemic!

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Check out our past episodes on vimeo.com/showcase/ztopia

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All the videos, songs, images, articles and graphics used in the video belong to their respective owners and I or this channel does not claim any right over them.

Copyright Disclaimer under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.

By Dorothy R. Santos

Dorothy R. Santos (b. 1978) is a Filipina American writer, artist, and educator whose academic and research interests include feminist media histories, critical medical anthropology, technology, race, and ethics. She is a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.

Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation.

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