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Creating strategies around how to deal with technology can become tiresome and futile. Technology is constantly at our fingertips for the majority of our days and, sometimes, nights. When we go to bed and wake up, virtuality and the Internet remain ubiquitously present. We may as well have our mobile devices tucked safely underneath our pillows for fear of being disconnected. If alien life forms were to descend, they may wonder how we obtain and retain our information. How do…
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Reinterpretations, remakes, and contemporary works are strategically placed throughout God Only Knows Who the Audience Is: Performance, Video, and Television Through the Lens of La Mamelle, engaging viewers in what is almost an infinite loop of observation that changes with every go-around. Douglas Davis’s The Last Nine Minutes (1977) welcomes viewers to the second floor of the exhibition. The video piece involves Davis walking around a space that simulates a dark cave. Viewers’ anticipation bubbles to the surface as they wait for him to…
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A few photos from Southern Exposure of Kenneth Lo’s exhibition, every stone tethered to sleep/every presence wedded to stone
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Art / art gallery / bay area artist / conceptual / installation / kenneth lo / loss / memorial / memory / postaday2011 / ritual / San Francisco / Sculpture / Southern Exposure¶¶¶¶¶
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writer | artist | scholar
Dorothy R. Santos, Ph.D. 