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Gallery view of Jenny O’Dell’s ‘Infrastructure’ (February—March 2014) at Intersection for the Arts, curated by Kevin B. Chen (photograph by Dorothy Santos) There is so much more to say about this issue. As an SF native, I have been a patron and supporter of Intersection for the Arts for a long time. I recently published a news story on the online arts publication Hyperallergic. If you would like to join the conversation, please feel free to leave a comment on…
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Prior to cinemagraphs, comment threads, 140 character limitations, and photography, there were Broadsides. Serving as the primary mode of communication for artists and writers around the turn of the 18th century, it was a way for the artist and writer to relay messages to the public. Although one-sided, broadsides gave the viewer an experience of art regardless of their socio-economic status in that broadsides were posted in public spheres where anyone with the ability to read had access to text and image.…
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I asked a dear friend about her attention span. She was candid in sharing that if 200 characters don’t entice her, you’ve lost her. She is an intelligent woman and I completely trust her opinion. Now, that’s not a lot characters to lure someone in. Yet, it speaks to the culture we live in. Granted, this post (originally posted to zero1‘s blog) is pretty lengthy but the show resonated with me because words are important to me (duh!). Being a writer…
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This past Wednesday, I went to the opening, In Other Words, at the Intersection for the Arts and snapped a few photos on my phone. I really need to start lugging around my fancy camera. Although mobile devices may come in handy, art (all forms) deserve the prestige that tons of pixels can actually deliver. One of my art heroes, Christine Wong Yap, was a featured artist in the show. She is one of the artist-writers that gave me the resources and guidance…
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writer | artist | scholar
Dorothy R. Santos, Ph.D. 