Categories
Art Art and Technology Digital Art Film Multi Media Performance and Conceptual

Tim Roseborough, New Media Artist

Portrait of Jason II: Rebirth of the B*tch - Film by Tim Roseborough, Courtesy of the Artist

This past year has been filled with pleasant surprises in the arts, in particular, New Media Art. One of the co-founders, Tim Roseborough, of the UpgradeSF node is a New Media artist I’ve been paying a lot of attention to lately. Not only am I intrigued by digital and multi-media art, I’m enthralled by the ways in which new media artists must engage their viewer on a level of thought that looks at technology as a means to convey something deeper about the human condition and existence in this post modern age. In the next few days, I will be dedicating some much needed blog posting real estate to Mr. Roseborough’s work.

Please visit his site by clicking here.

You know what would be even more wonderful? YOUR questions about his work. At the moment, I have two postings in the works (for publication by the end of this week) yet I would like to invite you to reply to this posting with a question and/or thoughts about his work.

Something fun…

By Dorothy R. Santos

Dorothy R. Santos (b. 1978) is a Filipina American writer, artist, and educator whose academic and research interests include feminist media histories, critical medical anthropology, race and technology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.

Her writing appears in art21, Rhizome, Hyperallergic, Ars Technica, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the program manager for the Processing Foundation.

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