With Valentine’s day just around the corner (and, yes, I’m excited, I love the day and don’t care if you don’t), I felt compelled to write about interconnectedness. That lost love, that forgettable love, or that unrequited love in your life all seem to hit people at once on the red-and-pink-heart-chocolate-laden day. So, I wanted to lead you to one of Stephanie Syjuco’s older works that shows Interconnectedness in a much more intimate way. In a sexy way, if you ask me.
Her work, “Interpersonal Relationships Based on Fact, Rumor, or Hearsay, and Depicted as Either Molecular Compositions or Constellation Maps (To the Best of My Knowledge), 2003” charted relationships in the Bay Area art scene. However you want to perceive those relationships, it’s up to you but she does a brilliant job at making you wonder and looking at our connections differently. I never grow tired of her work. You can view the chart here.
More lovey-dovey, interconnected, mushy art related stuff to follow…xoxo
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Dorothy R. Santos
Dorothy R. Santos (she/they) is a Filipino American writer, artist, and educator whose academic and research interests include feminist media histories, computational media, critical medical anthropology, technology, race, and ethics. She is a Ph.D. candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.
Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is an advisor for Brooklyn-based arts and tech organization POWRPLNT and Bay Area-based arts organization slash arts.
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