This post is long overdue. Months ago, I was reading through various art blogs and websites looking for interesting developments in the art world. One of my resources for art news is ArtInfo, having learned about Takashi Murakami’s current work, I saved a draft post and ONLY now just getting back to it (I originally wrote this back in late January of this year!). I still can’t believe it’s half way through April! What the heck? In any case, he is working on a Godzilla-like movie titled Jellyfish Eyes scheduled for release later on this year. Now, if you’re not too familiar with Murakami’s work, he is the artist responsible for Kanye West’s Graduation album cover.
Many Louis Vuitton fans may also remember a line of bags, accessories, and even a New York 5th Avenue store covered in Murakami’s work.
Last year, I read Seven Days in the Art World by Sarah Thornton. Each chapter looks at an important day in the art world (e.g., The Auction, The Crit, etc.). For The Studio Visit, Thornton met with Murakami and some of his staff. One thing that intrigues me is the collaborative effort it takes to manufacture the grandiose pieces. I try to take notice of what makes a particular artist successful and one of the common threads I see (especially across new media artists) is the ability to work with a cross-section of people. Now, I’m not the biggest fan of Murakami’s work but it’s difficult to deny his creative process and prolific production. His work is certainly reflective of human consumption and excess. From album covers (i.e., Kanye West) to the Palace of Versailles, his work is probably the most visually consumed. Reminiscent of Andy Warhol’s art factory, Murakami is an astute artist and business person. It only makes sense that he come out with a movie, right? Right! Quite honestly, I’m really intrigued and will be on the look out later this year.
Voted Best of the Bay’s, “Best Place to Spend Eternity”, the Chapel of the Chimes is playing host to living artists with this first ever exhibition of visual art in the Julia Morgan designed chapel and columbarium in Oakland.
Most stories end with “happily ever after” — but the stories being told by artists in this show are using Ever After as a starting point. Poignancy, playfulness, and sharp insights into the nature of the Eternal are the common threads used to weave a series of site specific mini-installations through chapel niches. From the minimal to the Baroque, artists use these unique spaces to reflect upon notions of ritual, remembrance, loss and celebration with critical alacrity and humor.
There will be an evening of performance & sound works on Sunday, November 13th from 5-8pm–more on this later!
With Valentine’s day just around the corner (and, yes, I’m excited, I love the day and don’t care if you don’t), I felt compelled to write about interconnectedness. That lost love, that forgettable love, or that unrequited love in your life all seem to hit people at once on the red-and-pink-heart-chocolate-laden day. So, I wanted to lead you to one of Stephanie Syjuco’s older works that shows Interconnectedness in a much more intimate way. In a sexy way, if you ask me.
Her work, “Interpersonal Relationships Based on Fact, Rumor, or Hearsay, and Depicted as Either Molecular Compositions or Constellation Maps (To the Best of My Knowledge), 2003” charted relationships in the Bay Area art scene. However you want to perceive those relationships, it’s up to you but she does a brilliant job at making you wonder and looking at our connections differently. I never grow tired of her work. You can view the chart here.
More lovey-dovey, interconnected, mushy art related stuff to follow…xoxo