
Click on the image above and check out Google’s new application, Google Goggles. The introductory video showcases Google’s new visual search application for Android phones. Basically, you can take a picture of ANYTHING and Google Goggles will provide the information you’re looking for. For example, don’t know the name of a landmark or a mysterious painting, say no more, you can launch your Google Goggles and it gives you all the info you need. It can even give you information from a business card. Pretty insane if you ask me. The video is a couple of minutes long (2:02 minutes to be exact). Yes, it can even translate text from a menu if you’re travelling and don’t know the language. Writing this makes me think of the work of Tim Roseborough, specifically, his latest work – Englyph. Imagine the information Google Goggles would retrieve for you based on this logographic system!! Technology is wild. I’m telling you!
Related to this topic, I have a post regarding Art Project by Google. Click here to view.
Feel free to tell me what you think of these applications and the future of social interaction, human memory, etc. So much to discuss. 🙂
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Dorothy R. Santos
Dorothy R. Santos (she/they) is a Filipino American writer, artist, and educator whose academic and research interests include feminist media histories, computational media, critical medical anthropology, technology, race, and ethics. She is a Ph.D. candidate in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.
Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation. She is an advisor for Brooklyn-based arts and tech organization POWRPLNT and Bay Area-based arts organization slash arts.
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