Dorothy R. Santos (b. 1978) is a Filipina American writer, artist, and educator whose academic and research interests include feminist media histories, critical medical anthropology, technology, race, and ethics. She is a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. She received her Master’s degree in Visual and Critical Studies at the California College of the Arts and holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.
Her writing appears in art21, Art in America, Ars Technica, Hyperallergic, Rhizome, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the Executive Director for the Processing Foundation.
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3 replies on “At the Intersection of Art and Technology – The Future of Music”
that was fun and nifty … would be neat to see in large public space! (ahhh … björk!)
Yes, Bjork’s new app album looks amazing. It’s interesting you say you would like to see the interactive art work in a large public space because there is so much going on within the developer/programmer/creative coder world and such interactivity is definitely fast approaching!
[…] the post I referenced in the video regarding Scott Snibbe’s phenomenal work on Bjork’s latest […]