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San Francisco Printmaking Duo, Colpa Press, Re-invent the Newsstand

EDICOLA
OFFICIAL PRESS RELEASE

This March 15th, 2012, marks the opening of a reinvention of the traditional newsstand.

Colpa Press will partner with the Central Market Street Revitalization Program to create a venue for artist books, prints, and albums, on the corner of Market and 6th Street.

Edicola is dedicated to providing a platform for emerging artists to reach their community through support from the public and by repurposing a kiosk that would otherwise be vacant. The stand will feature artists and musicians, both local and international, who work with the print format. It will focus on work that pushes the independent publishing envelope, through creative strategies of printing paired with high concept work.

As funds are made available, Colpa Press, will choose a local artist every month, to publish, and his or her work will be featured at the kiosk. Colpa will also choose an artist to design a poster for Edicola, every month, and this poster will be made available exclusively at the kiosk.

Additionally, Colpa Press, will publish a monthly newspaper featuring artists that are new to the kiosk, art and music reviews, including new music features from Aquarius records, as well as market street news and local events. Edicola is set on challenging the current state of publishing and suggesting that we are far from the death of print. Through this program, independent press can receive the stimulus it needs to be revitalized and flourish.

Edicola’s hours are Tuesday through Saturday 10:00 am – 6:00 pm beginning March 15th.
To learn more, you can click here

Hope to see you there!
Luca and Carissa of Colpa Press

By Dorothy R. Santos

Dorothy R. Santos (b. 1978) is a Filipina American writer, artist, and educator whose academic and research interests include feminist media histories, critical medical anthropology, race and technology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.

Her writing appears in art21, Rhizome, Hyperallergic, Ars Technica, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the program manager for the Processing Foundation.

2 replies on “San Francisco Printmaking Duo, Colpa Press, Re-invent the Newsstand”

Hooray!

(Admittedly, the thought of newsstands getting defunct kinda crept around in my mind.)

I’m surprised at how happy I even am (embarrassingly almost to the point of tears) that this transformation is grounding and elevating and gives young artists the dignity and exposure they well deserve.)

No doubt this will be a success!

I agree with you completely. I think re-invention and “displacement” of art (i.e., exhibiting and selling) in unorthodox places (i.e., newsstand) is a marker of contemporary artists wanting to preserve what they can but in the most creative ways possible. If you have the time to check it out, please do. You would love it. 🙂

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