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Here are a few pictures I snagged from the #arthacksf event co-facilitated by The Creators Project and Gray Area Foundation for the Arts.
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Over the weekend, I volunteered at the Art Hack SF Weekend held at Gray Area Foundation for the Arts. There were artists, programmers, art directors, designers, musicians, and other creative types. How àpropos that Soundquake was one of the winners for the weekend (with the 5:33 am 4.0 magnitude morning shaker)! Below, are short impressions while I was sitting in on the presentations. Overall, it was a great group of mega intelligent folks working together to meet at the intersections of…
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An incredible digital archive of Dr. Martin Luther King, Jr.’s life, essays, sermons, and notes on non-violence and education. It’s a fantastic resource and I highly suggest exploring the archive and learning something new about Dr. King’s legacy. Please (please) click on the image above and share this valuable resource!
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In certain types of engineering practices, there’s this idea that the computer and mathematics itself are sort of a-cultural. That they only exist in their own technical and formal world. Every computer system is built within a social and historical context of its time. ~Professor Fox Harrell Last year, I delved into work and research of Professor Fox Harrell. He runs the Imagination, Computation, and Expression Laboratory (ICE) Lab at the Massachusetts Institute of Technology. Click here for an introduction to the…
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If you’re familiar with David Fincher‘s, The Social Network, adapted from The Accidental Millionaires: The Founding of Facebook, A Tale of Sex, Money, Genius, and Betrayal, you may remember the scene where Zuckerberg, played by Jesse Eisenberg, creates Facemash in one evening. [If you’re not familiar with the movie, click on Facemash to learn more about it.] Although comparing women’s level of attractiveness is rather offensive (to many, not all), people do this everyday (yes, break out your Malcolm Gladwell). People are…
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All Fit Together by Tim Roseborough One of the most unique gifts I’ve received this year was a piece in All Fit Together by Tim Roseborough. My partner and I feel incredibly honored that we’ve been included! Please click on the image above to view the All Fit Together site to learn more about Roseborough’s logographic system, Englyph. This past year, Roseborough’s work was also featured in Art in America. Please watch the video below to how these people fit together. All Fit Together from Tim Roseborough on…
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We Feel Fine is on exhibit at the Adobe Museum of Digital Media. First, I’m utterly smitten and enthralled with data visualization work. Harris and Kamvar created this project back in 2005 and wanted to show the world’s feelings, individually and collectively, to showcase the human condition in a way that was both engaging and begs the question of whether we are truly alone in the way we feel. The answer is yes (and no). As unique as we all are, there are universal ideas/concepts/feelings humans…
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While volunteering for the GAFFTA Galvanize Gala, I had the opportunity to meet Aaron Koblin before the big rush of people. Yes, was completely artist-struck and geeked out but he was incredibly sweet. I’m really happy I introduced myself because he noticed my GAFFTA Volunteer badge and thanked me for volunteering. Yet, another geek out moment happened when I met John Gage, he was extremely kind. Overall, seeing some of the Board Members and meeting GAFFTA Faculty was fantastic. Eclectic Method DJed the…
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Now, imagine the spam above used to create art. A few posts back, I shared a performance/video art based on spam messaging. This time around, I wanted to post about artist, Alex Dragulescu. He’s been featured on c|net and USA Today. His art has been around for some time but it’s so àpropos considering my recent obsession fascination with the messages filtered as spam via my (blog) comments inbox. Spam is spam but every now and again, I receive a…
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Bold lines, audacious coloration, and hidden images characterize Fernando Orellana’s latest series, Slideways, currently on view at the Satellite 66 Gallery. From painting to electronics to robotics, Slideways showcases Orellana’s multifaceted art practice in a series of 2-D works that combine traditional techniques with digital tools. Orellana rejects the notion that ‘painting is dead,’ instead demonstrating that postmodern works can abide by longstanding traditions, albeit through nontraditional tools. Orellana has found a way to create something wonderfully enticing and fresh…
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