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Free Money Sticky Fingers from Hypermodern – Pete Ippel on Vimeo. Artist Pete Ippel created Free Money, Sticky Fingers specifically for “100 Performances for the Hole – Take Two” an art show curated by Justin Hoover at SOMArts Cultural Center in San Francisco, California, March 6th, 2010. ~ Text Source: Artist’s Vimeo Profile
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Artist: Chris Burden | Title: Through the Night Softly After seeing the performance pieces this past Sunday at the Ever After exhibition, I started thinking about how performance art has changed over the years. OFFSpace Founder, Kathrine Worel and I were talking about how there’s a fixation to document and showcase (as much as we possibly can). Being present (truly in the moment) without documentation is so difficult these days. I started thinking about Chris Burden’s work. Specifically, his work Through the Night Softly.…
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In early October, I wrote a Shotgun Review for Art Practical on the opening of the Ever After exhibition at the Chapel of the Chimes in Oakland. Over the weekend, I attended the closing exhibition, which included some wonderful performance pieces. Admittedly, I’m not the biggest fan of performance art but when it’s done well, it’s quite the experience. Below, I’ve posted a few photos of my favorite pieces at the closing. Reflection to follow. Please click on the images…
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In Imponderabilia (1977, reenacted in 2010) two performers, both completely nude, stand in a doorway. The public must squeeze between them in order to pass, and in doing so choose which one of them to face. ~ Source: Wikipedia page for Marina Abramovic Walking through the William and Fulton Street Stop in the NYC metro reminded me of Marina Abramovic’s work (minus the nudity, of course). The daily grind, hustle, and bustle of the Metro alone made me think of this wonderfully complex piece…
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I’m always intrigued by artists who find new and creative ways to use the body in art. Ariana Page Russell has not only used her body in a unique way, she has taken her skin condition and incorporated it into her creative process. Reminiscent of some of my all time favorite female artists Ana Mendieta, Marina Abramovic, and Hannah Wilke (who suffered from Lymphoma, a type of cancer), Russell has taken her own body to create provocative work. She has reinvigorated the…
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Representations of death often tend toward the trite: holograms, star clusters, or gilded gates leading to puffy buoyant clouds, for example. None of these conventional methods of representing death are currently on view at the Chapel of the Chimes, the Julia Morgan–designed crematorium in Oakland, though. Instead, viewers will find more unorthodox artifacts—pop-up children’s books and Shakespeare, a pair of Dixie cups, a reproduction of a Buddhist stupa, or a spider weaving her web–among the more customary flowers and well…
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