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I am THRILLED to co-present along with An Xiao Mina and Ben Valentine at the Dissident Futures Art and Ideas Festival. Please RSVP through YBCA’s site here. It will be good times and lots of great conversation. It’s been a great year thus far. Although it’s been extremely challenging to balance work, school, and freelance work, I’ve been handling it without my head completely rolling off and away from my body! Please consider checking out the festival and paying our panel a visit and talking to us. 🙂

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Dissident Futures Art and Ideas Festival
Sat, Nov 23, Noon–9 PM
Grand Lobby, Screening Room, Third Street Courtyard, Youth Arts Lounge
FREE w/ RSVP

YBCA invites you to participate in a one-day interactive festival in conjunction with the Dissident Futures visual arts exhibit in our Downstairs Gallery. The festival will bring our communities together to explore and investigate possible futures envisioned by artists, urban planners, environmentalists, scientists, robotic experts, designers, programmers, and food activists through dynamic workshops, lectures, performances, interactive media, music, and more.

In the Bay Area, there are a wealth of future-facing projects, involving practical innovations in technology and science. Some of these creative yet pragmatic endeavors are informed by utopian dreams and fueled by a local culture that looks to the future with hope and a predominant strain of optimism at what may come. The worldwide effort to consider and shape the future is being conducted by diverse actors including artists, scientists, teachers, and activists. The breadth of ideas and emergent forms ranges vastly, and given the scope and rising pace of these activities, ideas, and aspirations around the future, it is an exciting time for us to look critically at the participants and the outsiders in this conversation.

We want to bring people together in dialogue with members of our Bay Area community who have the tools to envision a future that expands on the best of our aspirations and builds on our technological advances, but keeps in check negative vectors such as climate change, rising income inequalities, and gaps that exist for power distribution and influence. We want to look at the entire ecology and foster discussions that move us forward.

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Noon: Opening Remarks by YBCA Executive Director Deborah M. Cullinan and Talks by Ray Gilstrap and Architects/Designers/Planners for Social Responsibility (ADPSR), Grand Lobby

Noon–8 PM: Artist booths by Fantastic Futures, Takehito Etani, Peter Foucault, Young Gifted and Black, GAFFTA, and Institute for the Future, Grand Lobby

Throughout the Day: Food, Music, Performances, and Mini Maker Faire, Third Street Courtyard

1–8 PM: Artist Presentations

1–2:30 PM: Future Cities Lab: Work of Future Cities Lab, Screening Room; Walidah Imarisha: Workshop on Sci-Fi and Social Movements, Youth Arts Lounge

2:30–4 PM: Code for America: Discussion on Open Government, Screening Room; Long Now Foundation: Manual for Civilization and GAFFTA: Creative Technology for Social Good and Urban Prototyping, Youth Arts Lounge

4–5:30 PM: Institute for the Future Fellows: Creating a Future for Good, Screening Room; Green House Project: Urban Agriculture—Rethinking Urban Density, Youth Arts Lounge

5:30–7 PM: InsTED Talks with Jaime Cortez, L. M. Bogad, Bill Hsu, and Jenifer Wofford, Screening Room; Kal Spelletich: Research and Survival in the Arts, Youth Arts Lounge

8–9:15 PM: Video Game Monologues, Screening Room; Dorothy Santos, An Xiao Mina, Ben Valentine: The Honeymoon’s Over—Arts and Culture Criticism in the Age of Networked Power, Youth Arts Lounge

2–4 PM: Performance by Michael Zheng, Grand Lobby; Performances and music by Brontez Purnell, Majo, Pangea F.C., Third Street Courtyard

7–8 PM: Performance by Jenifer Wofford and Kyle Herbert, Grand Lobby; Music performances, Third Street Courtyard

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Dorothy Santos is a freelance art writer, blogger, curator, and visual and critical studies geek. Born and raised in San Francisco, she holds bachelor’s degrees in philosophy and psychology from the University of San Francisco. As arts editor and curator of Asterisk San Francisco Magazine + Gallery, and blogger for ZERO1 and Gray Area Foundation for the Arts (GAFFTA), she enjoys writing about artists and engaging with the community. Her work appears in ArtPractical,StretcherCreative Applications NetworkDaily ServingHyperallergicArt21, and Planting Rice. She serves as a board member for the SOMArts Cultural Center and is currently pursuing her master’s degree in visual and critical studies from the California College of the Arts. Her research emphasis is on computational aesthetics, programming, coding, and open source culture and their effects on contemporary art.

An Xiao Mina is an artist, designer, writer, and a technologist. In her research and practice, she explores the intersection of networked, creative communities and civic life. Calling memes the “street art of the internet,” she looks at the growing role of internet culture and humor in addressing social and political issues in countries like China, Uganda, and the United States. Her writing and commentary have appeared in publications such as The AtlanticFast Company,Wired and others, and she has lectured at conferences such as the Personal Democracy Forum, the Microsoft Social Computing Symposium, and Creative Mornings. She is a 2013 USC Annenberg / Getty Arts Journalism Fellow and is co-founding The Civic Beat, a global research group and publishing platform focused on internet culture and civic life around the world.

Ben Valentine is a strategist and contributing author for the Civic Beat as well as a freelance cultural critic, curator, and creator based in Oakland. He recently organized Global Space, a groundbreaking exhibition for the Indianapolis Museum of Contemporary Art on the changing face of the individual in a neoliberal and networked world. Valentine also co-curated the world’s first Tumblr Art Symposium, which included commissioned essays, panelists, and an exhibition on the visual networked culture emerging all over the world, especially on Tumblr. His writing has appeared on publications like HyperallergicSalon, and Medium. He is currently preparing for a residency at the Internet Archive in San Francisco and working on building a Spanish and English Twitter translation platform for citizen journalism across linguistic and geographic borders.

There is SO much going on BUT I had to take the time to share a few photos I took during my studio visit with new media artist, Allison Holt. I’m looking forward to settling down and writing a piece about my conversation and visit with Holt. Her re-telling and artworks of the different energies and hybrid realities through her Fulbright research of Javanese culture is not only fascinating but yet another example of how artists can impact a community and engage in dialogue and discourse across cultures. Again, looking forward to posting parts of my interview with Holt as well as some reflection on her work.

I previously posted videos of the Hypercubes here. They’re extremely meditative, which I will get into during my write-up. For now, enjoy the studio visit photos and videos! If you have any burning questions and/or comments, please feel free to share and comment below. 🙂

A writing practice requires a reading practice! I attended a Cherrie Moraga workshop the other week and this was one of the many pearls of wisdom she bestowed to participants. I couldn’t agree more. Reading different publications definitely helps me with my writing. Below, you will find some of my favorite print publications (yes, print still exists)…click on the image to visit the magazine’s website and enjoy!

 

Bye Bye Kitty!!! Between Heaven and Hell in Contemporary Japanese Art Exhibition at Japan Society

In a densely urbanized, highly stratified society situated in the heart of an earthquake zone, the fear that the worst could easily happen lies at the back of many minds. ~David Elliott, Independent Curator

The past week has been a sobering reminder of nature’s uncontrollable force. As much as we would like to understand it, whether it be through science or art; the fact still remains that it is unpredictable as it is powerful. Yet, the human spirit is resilient and reflective on how such a catastrophe forces the best human qualities to surface and assist in efforts to connect and re-build. The Bye Bye Kitty!!! Between Heaven and Hell in Contemporary Japanese Art exhibition at the Japan Society in New York is a timely show that provides those of us miles away from the devastation a look into both the culture as well as the country’s psyche. In the desire to understand other human beings, the hope is that we better understand ourselves in order to provide authentic and present engagement.   

One of my favorite New York Times art writers, Holland Cotter, published an art review titled, Anxiety on the Fault Line, regarding the Bye Bye Kitty!!! show. It is, certainly, worth the read.