Dorothy R. Santos, Ph.D.

writer | artist | scholar

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Dorothy R. Santos, Ph.D.

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Archive

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Category: Philosophy

  • The People – SF

    Associated with the sixth edition of Yerba Buena Center for the Arts’ triennial exhibition “Bay Area Now” — a varied roundup showcasing artists inspired by the region and beyond — is a presentation by the performance troupe Big Art Group called “The People: San Francisco.” The site-specific outdoor extravaganza, which loosely recreates the story of […]

    8/26/2011

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    Art and Technology, Art History, Conceptual, Multi Media, Performance and Conceptual, Philosophy

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    big art group / performance / postaday2011 / the people – sf

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  • I need this book

    8/21/2011

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    Art History, Art Writing and Criticism, Culture Criticism, Philosophy, Theory

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    art history / art literature / contemporary art / critical theory / philosophy / postaday2011 / theory

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  • Call to Action

    Artists and writers must be brought back into the bosom of the community, or at least, if the latter is considered to be ill, they must be assigned the task of healing it. ~ Jean-Francois Lyotard, French Philosopher and Literary Theorist

    8/15/2011

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    Art, Art History, Art Writing and Criticism, Culture Criticism, Philosophy, Theory

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    art and philosophy / jean-francois lyotard / post modernism / postaday2011

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  • Dissection | Analysis

    In art the object is the work produced by art, as much containing elements of empirical reality as displacing, dissolving, and reconstructing them according to the work’s own law. Only through such transformation, and not through an ever falsifying photography, does art give empirical reality its due, the epiphany of its shrouded essence and the merited shudder in the […]

    7/21/2011

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    Art History, Culture Criticism, Philosophy, Theory

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    analysis / postaday2011 / reading / writing practice

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  • Reading | in | Between | The | Lines

    In art the object is the work produced by art, as much containing elements of empirical reality as displacing, dissolving, and reconstructing them according to the work’s own law. Only through such transformation, and not through an ever falsifying photography, does art give empirical reality its due, the epiphany of its shrouded essence and the merited shudder in the […]

    7/20/2011

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    Art History, Art Theory and Movements, Art Writing and Criticism, Culture Criticism, Philosophy, Theory

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    analysis / critical theory / philosophy / postaday2011

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