Tag: Guillermo Gómez-Peña

• The Body as Art

  I’m tired and quite frankly I want to go to sleep. Now that I’ve got that thought out of the way, let me write a little something before I lay my head down. Who needs sleep anyway? I mean, really! I was painting as a young artist and mostly I was painting these clouds and […]

  Dorothy R. Santos

  January 19, 2011

  Art, Artist’s Philosophy, Performance and Conceptual, Photography

  Art, body as art, christine wong yap, conceptual art, experimental art, Guillermo Gómez-Peña, la postra nostra, marina abramovic, new york moma, other, participatory art, performance art, postaday2011, source material in art, the body, the self

• Performance Art continued…

  I figured I would post a link to the wiki entry for Performance Art. Not that you, dear reader, have some kind of writing assignment. I’m, certainly, not voluntelling (a word invented at my office) you. You don’t have to read anything but I thought you might like to take a peek at what has […]

  Dorothy R. Santos

  January 17, 2011

  Art, Performance and Conceptual

  art dial, cross cultural, experimental art, global art world, globalization, Guillermo Gómez-Peña, la postra nostra, performance art, political art, postaday2011, social art

• Sunday is supposedly the Day of Rest…

    Yet, I had to write a little something about the next piece I’m working on – La Pocha Nostra. Yesterday, I attended the Corpo Illicito: The Post Human Society #69 performance piece at the SOMArts Cultural Center. There’s a lot of processing going on but I wanted to forewarn you of any photos I may […]

  Dorothy R. Santos

  January 16, 2011

  Art, Film, Performance and Conceptual, Visual Arts

  Art, conceptual art, corpo ilicito, experimental art, Guillermo Gómez-Peña, la pocha nostra, performance art, postaday2011