The website for Take One: A Gifting Performance by Tim Roseborough is live. Please explore Roseborough’s site and share your thoughts about his logographic system. It was an honor to have my Shotgun Review featured in Art Practical’s, Best of Year Two, issue. You can read more here.
OFFSpace, with guest jurors Lauren Davies (Kala Art Institute) and Robert Wuilfe (diRosa Foundation) are very pleased and excited to invite you to the opening reception for Ever After. Here are the details: WHERE: The Chapel of the Chimes Columbarium, 4499 Piedmont Avenue, Oakland, CA 94611 WHEN: Sunday, September 18th from 5-8pm COST: this event is free […]
The days of happenings and Fluxus signaled a pivotal transition and a prophetic glimpse into Post (Post) Modern art. Such progression into participant based art within art history entailed the coining of Relational Aesthetics. The times when artists sat around and drank beer ushered its way into the cannon of conceptual fine art. Also known as relational art, relational […]
If you haven’t guessed from recent posts, language and text-based art have been on my mind lately. This also means I’m looking at words and reading a bit more attentively than usual. Bruce Nauman’s piece, One Hundred Live and Die, displays a wide array of short sentences with words ‘live’ or ‘die’. His simple use […]
Please click on the images above to see how these visuals relate
I’m a sucker for fragmentation in art work. Displacement, imagined worlds, and elements of morphology (urban morphology) all collide in Elaine Gan’s work. It’s not an easy task to pull from a multitude of cultures and sub-cultures to create a cohesive and well executed visual landscape of diverse imagery. Gan’s approach to creating visual representations […]