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Here’s a video of Eclectic Method I took at the gala.
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Free Money Sticky Fingers from Hypermodern – Pete Ippel on Vimeo. Artist Pete Ippel created Free Money, Sticky Fingers specifically for “100 Performances for the Hole – Take Two” an art show curated by Justin Hoover at SOMArts Cultural Center in San Francisco, California, March 6th, 2010. ~ Text Source: Artist’s Vimeo Profile
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What: Third Strike: 100 Performances for The Hole When: December 10, 2011, 5:58PM–midnight Where: 934 Brannan St. (between 8th & 9th) How Much: $10 suggested donation Each performance lasts just two minutes and takes place in, around, in contradiction of, or is inspired by “The Hole,” a 100-year-old mechanics pit in the floor of the SOMArts Main Gallery. Past performances have included the unorthodox usage of bodily orifices, a set from a heavy metal band, and ritualistic offerings. Who knows what may transpire this…
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Click on the images to learn more about the artist, Fernando Orellana, and his current show at Satellite 66 gallery. It was fantastic meeting the artist and talking about new media, electronic, and robotic art. Review to follow. Hang tight. Will be posting soon…
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The Asterisk SF team is hard at work with the next issue covering the beautiful people of San Francisco. Click on the image above to submit a nomination for someone you believe promotes and creates positive change in the community (or is just a damn good chef or makes phenomenal art). Whoever they are, Asterisk SF wants to hear about who you admire and why. 🙂
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Celebrate the newly minted residency of GAFFTA in the historic Warfield Building in San Francisco. It will be an evening that brings together all of GAFFTA’s entrepreneurial and creative communities. From young professionals, financiers, entrepreneurs, and artists, this gala will present an upscale rock concert for a unique, creative and sexy Silicon Valley and Bay Area audience. We expect 800-1200 digerati, with all guests, talent, volunteers, and members working to amplify the talent, and artistry, of today’s technologists. ~ Image…
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Over the weekend, I visited the Yerba Buena Center for the Arts and saw The Matter Within: New Contemporary Art of India exhibition. I found myself making my way back to Sudarshan Shetty’s installation work. Both Untitled pieces (the above from his ‘Saving Skin’ series and the one below from his ‘Stab’ series) intrigued me. Although the mechanism tipped the pot back and forth with a constant, even rhythm that mimicked human movement, the piece presented tension and discomfort. The…
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