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It has been too long since my last Shotgun Review for Art Practical! I wrote about In the Current show, which showcases some phenomenal Iranian artists! Below, you will find my write-up. Please enjoy and I highly recommend stopping by the exhibit. Enjoy! * Β Β Β Β Β * Β Β Β Β Β * Β […]
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Click on the images below… π * Β Β Β Β Β * Β Β Β Β Β * Β Β Β Β Β * * Β Β Β Β Β * Β Β Β Β Β * Β Β Β Β Β *
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Reinterpretations, remakes, and contemporary works are strategically placed throughoutΒ God Only Knows Who the Audience Is:Β Performance, Video, and Television Through the Lens of La Mamelle, engaging viewers in what is almost an infinite loop of observation that changes with every go-around. Douglas DavisβsΒ The Last Nine MinutesΒ (1977) welcomes viewers to the second floor of the exhibition. The […]
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On the heels of reading Christine Wong Yap’s Art Practical feature, I figured it was time to create a new page on my blog – Shotgun Reviews Archive! Shotgun Reviews via Art Practical has been an incredible way for me to interact with the Bay Area Arts Community and take part in the conversation. My […]
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Hot off the presses…Enjoy! ***************************** Is the imagination a mode of technology? What role does the imagination play in technological advancements such as sensor-laden homes, personal GPS devices, and televisions that can display four channels simultaneously? Artists for Retro-Tech, an exhibition at the San Jose Museum of Art, answer the question of how imagination operates […]
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“So this has been my whole professional life! Public art can create permeable membranes between the inside and outside of systems, spaces, and even the souls of citizens. Public artists need more breathing space to experiment and do R&D. They need to be brought in at the very inception of projects, so they can do their first work as a certain kind of thinker.” — Mierle Laderman Ukeles, 2001
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…there is safety for these artists living and working outside the boundaries of the art world…
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Viewing works in close proximity not only invoked a strong sense of anticipation, but a participatory aspect to the actual exhibition.
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