Categories
Art Art and Technology Film Performance and Conceptual Photography Visual Arts

Garage Biennale Book – Now Available!

Book cover for Garage Biennale
The first show I attended at the Garage - "I Walked Through Seven Sad Forests"

Art is supposed to be an experience.

Don’t you think? Well, I do.

These days, it’s not enough for me to look at something on a canvas or a neatly stacked collection of combs (okay, so if it’s Sonya Clark, I know the combs are ridiculously magnificent looking and rife with cultural subtext and history. Yes, I love her work but I just digressed, big surprise).

In any case, I said it and I’ll say it again. It’s NOT enough to just look at something for sheer retinal pleasure. As much appreciation and adoration I have for traditional art, there is something incredibly valuable about contemporary art in the conceptual realm. In particular, art pieces that are fleeting and ephemeral involve this excitement and wonder. The temporality of the Garage performances and exhibitions asked only one thing of its patrons – to be present. For those that wonder, “What good would a book about events I never attended and/or will never happen again do for me?” The answer: It’s a part of history. The loss of the moment. The loss of the opportunity. The loss of the time spent watching. The loss of an experience.

“Being temporary is being human, but so is longing for permanence. However, impermanence is our nature, and once we embrace it we can forget about loss and failure. Decisions then come with clarity and alacrity. This is the beauty of temporality: you learn that, sometimes, through loss is the only way.” ~Justin Hoover

Being an avid supporter of alternative art spaces, Justin Hoover‘s book, Garage Biennale serves as a wonderful chronicle of a truly alternative and experimental art space in San Francisco. I remember first learning about the Garage and utterly fascinated how one went about creating a gallery space that was simultaneously public and private. The dichotomy alone intrigued me and I considered myself a patron when I viewed my first show, “I Walked Through Seven Sad Forests”. It was the first art show I ever wrote about, actually. I always wanted to write about art but I never thought that this Garage would have been the impetus for that aspiration.

I owe a lot to the Garage and Mr. Justin Hoover…thank you, my friend!

By Dorothy R. Santos

Dorothy R. Santos (b. 1978) is a Filipina American writer, artist, and educator whose academic and research interests include feminist media histories, critical medical anthropology, race and technology. Born and raised in San Francisco, California, she holds Bachelor’s degrees in Philosophy and Psychology from the University of San Francisco and received her Master’s degree in Visual and Critical Studies at the California College of the Arts. She is a Ph.D. student in Film and Digital Media at the University of California, Santa Cruz as a Eugene V. Cota-Robles fellow. Her work as been exhibited at Ars Electronica, Fort Mason Center for Arts & Culture, Yerba Buena Center for the Arts, and the GLBT Historical Society.

Her writing appears in art21, Rhizome, Hyperallergic, Ars Technica, Vice Motherboard, and SF MOMA’s Open Space. Her essay “Materiality to Machines: Manufacturing the Organic and Hypotheses for Future Imaginings,” was published in The Routledge Companion to Biology in Art and Architecture. She is a co-founder of REFRESH, a politically-engaged art and curatorial collective and serves as the program manager for the Processing Foundation.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s