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If you haven’t guessed from recent posts, language and text-based art have been on my mind lately. This also means I’m looking at words and reading a bit more attentively than usual. Bruce Nauman’s piece, One Hundred Live and Die, displays a wide array of short sentences with words ‘live’ or ‘die’. His simple use […]
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Please click here to learn more about the Primary Black and White Series.
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Those who know nothing of foreign languages know nothing of their own. ~ Johann Wolfgang von Goethe – German Playwright, Poet, and Novelist
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Tim Roseborough’s language, Englyph, puts a different perspective on text-based art. At first, it’s difficult to envision Englyph as synonymous with English because it’s rather foreign (literally). As Roseborough explains in his piece, Notes In/troducing Englyph, the aim is to take what we know and make it into something we don’t know. Truthfully, if Englyph were the only […]
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Please click on the images above to see how these visuals relate
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Reinterpretations, remakes, and contemporary works are strategically placed throughout God Only Knows Who the Audience Is: Performance, Video, and Television Through the Lens of La Mamelle, engaging viewers in what is almost an infinite loop of observation that changes with every go-around. Douglas Davis’s The Last Nine Minutes (1977) welcomes viewers to the second floor of the exhibition. The […]
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I’m a sucker for fragmentation in art work. Displacement, imagined worlds, and elements of morphology (urban morphology) all collide in Elaine Gan’s work. It’s not an easy task to pull from a multitude of cultures and sub-cultures to create a cohesive and well executed visual landscape of diverse imagery. Gan’s approach to creating visual representations […]
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Future/Canvas 2 will be exhibiting digital artists at the Gray Area Arts Foundation for the Arts this June! As much as I love a good ole pencil to draw and brush to paint, the iPad artists showcasing at this year’s Future/Canvas will not disappoint. After viewing the Future/Canvas site, you will definitely want to see […]
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