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The Mobile Arts Platform (MAP) is comprised of two large-scale, interactive sculptures that are “activated” by a mobile exhibitions program. MAP brings together Peter Foucault’s Fal-Core Van and Chris Treggiari’s Mobile Store and will appear in locations throughout the Bay Area. MAP will create an autonomous exhibition space, an artistic research lab where a cross pollination of mediums and genres can occur, be accessible to […]
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Reinterpretations, remakes, and contemporary works are strategically placed throughout God Only Knows Who the Audience Is: Performance, Video, and Television Through the Lens of La Mamelle, engaging viewers in what is almost an infinite loop of observation that changes with every go-around. Douglas Davis’s The Last Nine Minutes (1977) welcomes viewers to the second floor of the exhibition. The […]
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I’m a sucker for fragmentation in art work. Displacement, imagined worlds, and elements of morphology (urban morphology) all collide in Elaine Gan’s work. It’s not an easy task to pull from a multitude of cultures and sub-cultures to create a cohesive and well executed visual landscape of diverse imagery. Gan’s approach to creating visual representations […]
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Paid a visit to The Curiosity Shoppe on Valencia Street (San Francisco, CA) yesterday. It’s one of my favorite places. It’s a treasure trove of amazingness. I couldn’t walk out of the store without a new publication. I bought Average Magazine founded by artist, Kate Pocrass. One word: Brilliant. I don’t know how she would feel about this […]
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If there is one thing I’ve learned about art, it’s that anything goes. Gesture and the body are integral components that make Tony Labat and Guy Overfelt’s work so difficult to deny. The physicality involved in the making of their pieces is part of the creative process as well as the end result. After attending […]
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Guy Overfelt, Taser (by proxy), single channel video, 1998 If you think all artists are quiet and sensitive, then you’ve probably never been a witness to Tony Labat and Guy Overfelt’s work. For Part III, I will be covering the pieces they selected for the Spread exhibition. For now, click here to view Guy Overfelt’s site. […]
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An artist goes in and out of shape. And by that I mean, very similar to being an athlete. When an athlete’s in shape, every movement that they do comes intuitively. In art, when you’re in shape, ideas are coming faster than you have time to make them. Being in shape is really being able to see accidents. […]
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