In 2012, I’m going to try and create my own data visualization. Of what? Not sure…feel free to throw out some suggestions. Need an idea of what data vis looks like? Please click on the image above to learn more about it. Inforgraphics curated by datavisualization.ch
OKFocus created ART or NOT, which is a way for you to rate whether something is art or not. Quite honestly, it was challenging for me to rate anything because much of the art experience depends on context. The environment and space around a work is just as important. Or, is it? With so many works of art across disciplines and mediums, anything is art. Right? Well, here’s your chance to pass judgement. ART or NOT allows you to rate works (or non-works) and see what percentage of the population believed whether it was art or not. You will find, soon enough, that you question what you believe and perceive as art. Quite the mental exercise if you ask me. Make it a family activity, if you want to avoid the awkward obligatory holiday conversation, this will definitely be a good discussion topic. Enjoy!
I had to film some footage of Eclectic Method (EM) DJing at the Galvanize Gala at Gray Area Foundation for the Arts last week. Regrettably, I didn’t film the Yoda training Luke Skywalker on Dagoba footage that EM mixed into the montage (yeah, yeah, I know…I’m a total geek but I don’t really care). However, I’m sure you will delight in his mashup-montage of Bruce Lee’s Enter the Dragon. Enjoy!
Note: I realized I posted this video previously but without commentary. Again, enjoy! 🙂
This is my first, official, WordPress reblog post!
Being a huge music fan and lover of DIY culture, I couldn’t pass up spreading the word about this particular hack project. Please take a look at Matt Keeter’s fab[ulous] boombox!
One of the most unique gifts I’ve received this year was a piece in All Fit Together by Tim Roseborough. My partner and I feel incredibly honored that we’ve been included! Please click on the image above to view the All Fit Together site to learn more about Roseborough’s logographic system, Englyph. This past year, Roseborough’s work was also featured in Art in America. Please watch the video below to how these people fit together.
We Feel Fine…but do we really? Click here to see what the rest of the world is feeling…
We Feel Fine is on exhibit at the Adobe Museum of Digital Media. First, I’m utterly smitten and enthralled with data visualization work. Harris and Kamvar created this project back in 2005 and wanted to show the world’s feelings, individually and collectively, to showcase the human condition in a way that was both engaging and begs the question of whether we are truly alone in the way we feel. The answer is yes (and no). As unique as we all are, there are universal ideas/concepts/feelings humans experience everyday and We Feel Fine is a contribution to the digital media and arts movement that is evidence of the desire to be connected to the world, to each other, whether we admit it or not.
My recent fascination with video art continues. I’m posting the Hypercube series by Allison Holt. Her work is incredibly elegant and created with Closed-Circuit Television (CCTV) equipment, polyester resin, and light. I plan on exploring Holt’s work in the near future. For now, please explore her works and her site to learn more.
As a writer, I’m constantly advised to “write what I know”. Yet, this depends on whether I’m courageous enough to share my story. It’s not difficult to write what I know but the things I know some people (specifically my family) may not care to know. For some time, I’ve grappled with being queer. The awkwardness doesn’t come from my partner’s family or my friends but MY family. The old school, traditional, Christian/Catholic Filipino way is that you don’t talk about whatever would (possibly) embarrass the family.
When I tell friends I’m not out to my family, the response is usually one of surprise. I’m convinced they know but are either 1) in denial, 2) refuse to discuss or acknowledge, and/or 3) gossip about me. I have the visible signs and traits (i.e., large tattoos, asymmetrical haircut, etc.) and…
Apparently, owning a cat makes you gay…
…a cat (undeniably gay, I’m told). So, how does my family not know? And why am I not forthcoming about being queer? Despite what some consider obvious LGBTQ traits, some family members believe I’m straighter than a line. This past Saturday evening, I realized that I’m extremely (mentally) claustrophobic. Yes, I hate closets. I keep finding myself sneaking back in when I’m around people who are supposed to love me. I don’t like being asked the whereabouts of a non-existent boyfriend or why I’m not married and don’t have kids yet. After seeing Kat Evasco and John Caldon’s work, Mommy Queerest performed at Bindlestiff Studio in San Francisco (CA). It completely resonated with me, to say the absolute least.
With an abridged history of the Philippines and Filipino American history, a microphone, and chair, the overall aesthetic for the show was minimal but engaging. Talented designer and artist friend, Aimee Espiritu, did the visuals for the show. With an overhead projector used to show transparencies of photographs and significant years in Evasco’s life, the visuals were reminiscent of a classroom lecture but with an entertaining and poignant narrative.
Evasco’s extraordinary energy, unabashed delivery, and witticism had me believing there’s nothing wrong with me. I don’t need permission but witnessing her sharing her story was incredibly affirming. The life she shares with her audience in Mommy Queerest is something anyone can relate to. It’s not just for gay people, ya’ll. Past the petite frame and strong exterior, Evasco presents universal ideas of acceptance, forgiveness, determination, self-loathing, and love in this one-woman show. Despite Mommy being a work-in-progress, it was impressive to learn both her and co-writer John Caldon were able to pull off an initial run that speaks to so many people and with such depth. I’m looking forward to seeing this particular work evolve and develop.
In Evasco’s own words, “This show is half payback to my mom for making me come out for both of us and half love letter to her for making me who I am. She’s terrified I’m exposing every skeleton in our family closet — and she should be. I might be Filipina-American, but cultural silence is non-existent in my world, so like an eager exhibitionist I’m letting it all hang out.
Acting and divulging of one’s life is art and its (damn) hard work to stand up in front of people for 85 minutes straight (no pun intended) because, as a performer/actress/comedienne, you are trusting the fact that people want to hear the story or they wouldn’t be there. I laughed a lot, found myself nodding uncontrollably, agreeing with Evasco’s words and reflections, and allowing tears to run because there was a lot she touched upon that I can barely begin discussing with my mother and family. Most importantly, to see someone who reminds me of me, what I look like, how I feel, and how I would love to see the world is ridiculously wonderful and refreshing.