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We create a community of multi-disciplinary artists who fuse eastern philosophies and practices in their work. This new community engages musicians, architects, visual artists, sculptors, videographers, and others in a conversation and exchange that evokes the spirit of John Cage and his impact on avant-garde art that permeates and vibrates throughout the bay area. ~ Hanna Ragev, Co-Curator Mathematicians, scientists, and artists are all driven by uncertainty. Chance operations might entail risk but it also lends itself well towards calculated steps.…
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This past weekend was rife with art. First, the Get Lucky: The Culture of Chance exhibition at SOMArts Cultural Center on Friday evening. Then, Saturday, Disrupture at icTus gallery in the Mission District of San Francisco. Check out the shows if you are able. I will be working on a write-up for Disrupture so please be on the look out for something a bit more polished to follow. In the meantime, here are a few photos I snapped during opening…
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Become a GAFFTA member and enjoy an amazing night at the Warfield! Purchase tickets by clicking here.
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Free Money Sticky Fingers from Hypermodern – Pete Ippel on Vimeo. Artist Pete Ippel created Free Money, Sticky Fingers specifically for “100 Performances for the Hole – Take Two” an art show curated by Justin Hoover at SOMArts Cultural Center in San Francisco, California, March 6th, 2010. ~ Text Source: Artist’s Vimeo Profile
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What: Third Strike: 100 Performances for The Hole When: December 10, 2011, 5:58PM–midnight Where: 934 Brannan St. (between 8th & 9th) How Much: $10 suggested donation Each performance lasts just two minutes and takes place in, around, in contradiction of, or is inspired by “The Hole,” a 100-year-old mechanics pit in the floor of the SOMArts Main Gallery. Past performances have included the unorthodox usage of bodily orifices, a set from a heavy metal band, and ritualistic offerings. Who knows what may transpire this…
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In early October, I wrote a Shotgun Review for Art Practical on the opening of the Ever After exhibition at the Chapel of the Chimes in Oakland. Over the weekend, I attended the closing exhibition, which included some wonderful performance pieces. Admittedly, I’m not the biggest fan of performance art but when it’s done well, it’s quite the experience. Below, I’ve posted a few photos of my favorite pieces at the closing. Reflection to follow. Please click on the images…
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