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In the early 20th century, San Francisco felt the effects of disaster. The earthquake of 1906 left the city with crumbled buildings and widespread devastation throughout the downtown area, so art was probably not on the minds of civil servants and residents trying to recuperate and clean a city in disrepair. Artwork from this period […]
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I asked a dear friend about her attention span. She was candid in sharing that if 200 characters don’t entice her, you’ve lost her. She is an intelligent woman and I completely trust her opinion. Now, that’s not a lot characters to lure someone in. Yet, it speaks to the culture we live in. Granted, […]
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Over the weekend, I visited the Yerba Buena Center for the Arts and saw The Matter Within: New Contemporary Art of India exhibition. I found myself making my way back to Sudarshan Shetty’s installation work. Both Untitled pieces (the above from his ‘Saving Skin’ series and the one below from his ‘Stab’ series) intrigued me. […]
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Representations of death often tend toward the trite: holograms, star clusters, or gilded gates leading to puffy buoyant clouds, for example. None of these conventional methods of representing death are currently on view at the Chapel of the Chimes, the Julia Morgan–designed crematorium in Oakland, though. Instead, viewers will find more unorthodox artifacts—pop-up children’s books […]
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Artists include: Adam Katseff, Eric Larson, Angela Willetts and Todd Anderson, Kevin Seaman, Scott Kildall, Ashley Lauren Saks, Nicole Fein, Surabhi Saraf, Brice Bischoff, Michael Namkung, Yuki Maruyama, Jennifer Campbell, and Leeza Doreian. Curated by: Gail Dawson, Mary Anne Kluth, and Jesse Houlding The Lab is pleased to present Time, a group exhibition addressing the […]
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Recently, the Hubble Ultra-Deep Field imaging system unveiled the deepest portrait of the visible universe ever achieved by humankind, that reveals the first light from 13.5 billion years ago. The exposure lasted for eleven and a half days and is the as far back as the human eye has seen to the origins of the […]
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Viewing works in close proximity not only invoked a strong sense of anticipation, but a participatory aspect to the actual exhibition.
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