-
If you’re a performance and/or sound artist, please download the PDF of the Micromanagement Deadline Memo here.
¶¶¶¶¶
¶¶¶¶¶
-
In art the object is the work produced by art, as much containing elements of empirical reality as displacing, dissolving, and reconstructing them according to the work’s own law. Only through such transformation, and not through an ever falsifying photography, does art give empirical reality its due, the epiphany of its shrouded essence and the merited shudder in the face of it as in the face of a monstrosity. The primacy of the object is affirmed aesthetically only in the character of art as the…
¶¶¶¶¶
¶¶¶¶¶
¶¶¶¶¶
-
Visualize walking into a restaurant and being handed a menu in a foreign language. Most individuals would request a menu that they could read. For Tim Roseborough, such a menu served as the impetus for his latest work: Notes In/troducing Englyph. Much like the Austrian philosopher Ludwig Wittgenstein, Roseborough examines human perception and understanding of language. Meanings and judgments within language frame our collective understanding and dictate our experience and engagement with one another. From texting to answering e-mail messages to…
¶¶¶¶¶
¶¶¶¶¶
-
It is a great corner site, an exciting but exhausting gig painting in the micro climates of the scaffolding. Hot on one side and cold on the other. Sweet and sinister, everyday living mixed with screeches of pain. My favorite compliment this week: ”The Hummingbird is a motherfucking powerful bird.” ~Excerpt from Johanna Poethig’s Blog Bay Area visual, public, and performance artist, Johanna Poethig, created a blog to document the process of her latest mural project located in the Tenderloin district of San…
¶¶¶¶¶
bay area / johanna poethig / muralism / murals / painting / postaday2011 / San Francisco / tenderloin / urban art¶¶¶¶¶
¶¶¶¶¶
-
Since I’ve been re-examining philosophical texts, I wanted to share the art and artists that relate to personal research interests. Click on the image above to check out the No Matter project. Yes, this is the cool stuff that keeps me up at night. 🙂
¶¶¶¶¶
¶¶¶¶¶
-
by Tim Roseborough Words don’t play a primary role unless the artist wants them to. I’ve followed Tim Roseborough’s work for the past couple of years and finding myself so enthralled with how his logographic system gives a whole new meaning to learning language. Please click on the text above for an introduction to Englyph.
¶¶¶¶¶
¶¶¶¶¶
¶¶¶¶¶
-
If you haven’t guessed from recent posts, language and text-based art have been on my mind lately. This also means I’m looking at words and reading a bit more attentively than usual. Bruce Nauman’s piece, One Hundred Live and Die, displays a wide array of short sentences with words ‘live’ or ‘die’. His simple use of nouns and verbs in neon lettering bring much more complexity to one’s understanding of life and death. Calling attention to their depth through simplified…
¶¶¶¶¶
¶¶¶¶¶
¶¶¶¶¶
-
Please click here to learn more about the Primary Black and White Series.
¶¶¶¶¶
¶¶¶¶¶
¶¶¶¶¶
-
Tim Roseborough’s language, Englyph, puts a different perspective on text-based art. At first, it’s difficult to envision Englyph as synonymous with English because it’s rather foreign (literally). As Roseborough explains in his piece, Notes In/troducing Englyph, the aim is to take what we know and make it into something we don’t know. Truthfully, if Englyph were the only mode of communication, I’m sure the reader would begin to create and affix meaning to the characters over time. Yet, who wants to brave this…
¶¶¶¶¶
¶¶¶¶¶
¶¶¶¶¶
writer | artist | scholar
Dorothy R. Santos, Ph.D. 