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Although a pretty lengthy video, it’s worth the time and energy especially if you are into experimental music and abstract sounds. For the last installment of my reflections on the Spread Exhibition, which is unfortunately over, I’m working through the last pair that includes this incredible vanguard sound artist, Laetitia Sonami!
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If there is one thing I’ve learned about art, it’s that anything goes. Gesture and the body are integral components that make Tony Labat and Guy Overfelt’s work so difficult to deny. The physicality involved in the making of their pieces is part of the creative process as well as the end result. After attending the artist panel discussion on April 14th, 2011, Labat was there with his selected artist, Guy Overfelt, and he mentioned the body serving as material…
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Guy Overfelt, Taser (by proxy), single channel video, 1998 If you think all artists are quiet and sensitive, then you’ve probably never been a witness to Tony Labat and Guy Overfelt’s work. For Part III, I will be covering the pieces they selected for the Spread exhibition. For now, click here to view Guy Overfelt’s site. You can learn a bit more about Tony Labat here.
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Conceptual Art, to be specific. After attending the opening night for the Spread exhibition, which is currently showing at the SOMArts Cultural Center (San Francisco, CA), I’ve been thinking quite a bit about conceptual art. I’ve been asking myself why I enjoy it so much. Conceptual work makes sense of the world. With all its antics, it’s a movement that evolves, grows rapidly, and is reflective of the times. Some may see conceptual art as rebellion and departure from tradition,…
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